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This book is a systematic and practical survey of contemporary museum design in theory and practice. Museums are architectural trend-setters. Culture sponsoring and their increasing role as tourist attractions are guarantees for an ongoing boom in museum construction. A tradition and typology developed over the centuries, the planning and practical experience gained in recent decades and cutting-edge technology all contribute to the practice of modern day museum building. History and form, site development, floor plan, air-conditioning and climate technology are just some examples of the subjects treated systematically and contextually in the first section of this design manual. Some 70 international museum case-studies by renowned architects such as Tadao Ando, Stephen Holl, Renzo Piano and Herzog & de Meuron exemplify solutions and emphasize specific museum design issues such as spatial organisation and lighting.
The museum as a building type and architectural space bear a complex relationship to each other. Architecture competes with the exhibited objects on the one hand and gives way to them on the other, enabling the museum to develop as regards content. This manual guide has its point of departure between both poles and targets both designers and users. The aim of the publication is to facilitate communication in the planning process of a museum, whether this is during the conceptual stage, the competition, or the design and construction phase. In addition to an introduction on the architectural history of the museum, the authors examine the key planning parameters involved in the conception and design of a contemporary museum. Buildings and projects provide inspiration for individual design work.0.
This volume examines the meaning of museum architecture in the urban environment, considering important issues such as forms of civic representation, urban regeneration of and cultural tourism and the museumification of the city itself.
This unique and important directory incorporates some 3,200 entries. It covers all types and sizes of museums; galleries of paintings, sculpture and photography; and buildings and sites of particular historic interest. It also provides an extensive index listing over 3,200 subjects. The directory covers national collections and major buildings, but also the more unusual, less well-known and local exhibits and sites. The Directory of Museums, Galleries and Buildings of Historic Interest in the United Kingdom is an indispensable reference source for any library, an ideal companion for researcher and enthusiast alike, and an essential purchase for anyone with an interest in the cultural and historical collections of the UK. Features include: * Alphabetically listed entries, which are also indexed by subject for ease of reference * Entries include the name and address of the organization, telephone and fax numbers, email and internet addresses, a point of contact, times of opening and facilities for visitors * A breakdown of the collections held by each organization, giving a broad overview of the main collection as a whole * Details of special collections are provided and include the period covered as well as the number of items held.
Collating the views of international museum professionals, architects, designers and academics, this book highlights the complexity and significance of museum space, studies recent developments in museum architecture and exhibition design.
Billedværk om museumsbygninger fra hele verden
Tremendous opportunities are opening up as architecture becomes more generalized and firms accept commissions for a widening range of building types. To take advantage of these opportunities, architects need instant information on the general issues, materials, systems, requirements, and general design guidelines associated with different types of structures. Building Type Basics books fulfill this need. Building Type Basics for Museums is a one-stop source for the essential information architects need to fast-start the design process. In this book, author Arthur Rosenblatt draws upon the expertise of leading architects from around the world to present all aspects of museum and cultural facility design. This book provides critical information on the process, potential problems, design concerns, and recent trends in museum and cultural facility design, along with complete coverage of energy issues, mechanical systems, and structural concerns as well as acoustic control, lighting, internal traffic, security, and other important topics. This indispensable guide: * Asks and answers twenty questions that frequently arise in the early phases of a project commission * Provides project photographs, diagrams, floor plans, sections, and details * Includes guidelines for art, science, and natural history museums; ethnic art and cultural centers; and more This conveniently organized quick reference is an invaluable guide for busy, dedicated professionals who want to get moving quickly as they embark on a new project. Like every Building Type Basics book, it provides authoritative, up-to-date information instantly and saves architects countless hours of research. Engineering consultants will also find a wealth of information to help them tackle museum commissions of all kinds.
Recent decades have witnessed an explosion of museum building around the world and the subsequent publication of multiple texts dedicated to the subject. Museum Architecture: A new biography focuses on the stories we tell of museum buildings in order to explore the nature of museum architecture and the problems of architectural history when applied to the museum and gallery. Starting from a discussion of the key issues in contemporary museum design, the book explores the role of architectural history in the prioritisation of specific stories of museum building and museum architects and the exclusion of other actors from the history of museum making. These omissions have contemporary relevance and impact directly on the ways in which the physical structures of museums are shaped. Theoretically, the book places a particular emphasis on the work of Pierre Bourdieu and Henri Lefebvre in order to establish an understanding of buildings as social relations; the outcome of complex human interactions and relationships. The book utilises a micro history, an in-depth case study of the ‘National Gallery of the North’, the Walker Art Gallery in Liverpool, to expose the myriad ways in which museum architecture is made. Coupled with this detailed exploration is an emphasis on contemporary museum design which utilises the understanding of the social realities of museum making to explore ideas for a socially sustainable museum architecture fit for the twenty-first century.
In an era of expanded responsibility and constricted funding, museum personnel often need strong practical guidance on the best practices for building projects. The authors of Planning Successful Museum Building Projects discuss the reasons for undertaking building projects (new construction, renovation, expansion), the roles and responsibilities of key players, the importance of a strong vision, and the best methods for selecting architects and construction firms. They also offer in-depth information about budgeting and finance, feasibility studies, capital campaigns, marketing, and communications, as well as advice on how to live through the disorienting process of construction, manage post-opening needs, and evaluate the project's success over time. Planning Successful Museum Building Projects provides all the tools for successfully managing projects from predesign through opening and beyond.
An indispensable tool for renovating and building small and midsized museums, written for those who preserve and interpret our cultural heritage
A Companion to Museum Studies captures the multidisciplinary approach to the study of the development, roles, and significance of museums in contemporary society. Collects first-rate original essays by leading figures from a range of disciplines and theoretical stances, including anthropology, art history, history, literature, sociology, cultural studies, and museum studies Examines the complexity of the museum from cultural, political, curatorial, historical and representational perspectives Covers traditional subjects, such as space, display, buildings, objects and collecting, and more contemporary challenges such as visiting, commerce, community and experimental exhibition forms
This is a guide to the process of planning, designing, producing and evaluating exhibitions for museums. Subjects range from traditional displays of art, artifacts and specimens from the permanent collection to the latest developments in virtual reality, online exhibitions, and big-screen reality.
A practicing architect discusses the theoretical background of modern architecture
A fascinating look at how stellar cultural meccas built recently by renowned architects are setting superb standards for the next century. 350 color and 60 b&w illustrations.
The Language of Disenchantment explores how Protestant ideas about language influenced British colonial attitudes toward Hinduism and proposals for the reform of that tradition. Protestant literalism, mediated by a new textual economy of the printed book, inspired colonial critiques of Indian mythological, ritual, linguistic, and legal traditions. Central to these developments was the transposition of the Christian opposition between monotheism and polytheism or idolatry into the domain of language. Polemics against verbal idolatry - including the elevation of a scriptural canon over heathenish custom, the attack on the personifications of mythological language, and the critique of "vain repetitions" in prayers and magic spells - previously applied to Catholic and sectarian practices in Britain were now applied by colonialists to Indian linguistic practices. As a remedy for these diseases of language, the British attempted to standardize and codify Hindu traditions as a step toward both Anglicization and Christianization. The colonial understanding of a perfect language as the fulfillment of the monotheistic ideal echoed earlier Christian myths according to which the Gospel had replaced the obscure discourses of pagan oracles and Jewish ritual. By recovering the historical roots of the British re-ordering of South Asian discourses in Protestantism, Yelle challenges representations of colonialism, and of the modernity that it ushered in, as simply rational or secular.
Long regarded as one the leading texts in museology, Introduction to Museum Work is now thoroughly revised and updated. While citing recent changes in the museum world, the third edition of Burcaw's classic work retains its useful philosophical orientation and convenient summary format. All the basics of museology are here—the central issues are discussed and definitions are given for all the terms museum workers need to know. Every chapter includes practical exercises making Burcaw's book ideal for the classroom or for novice museum workers. Accepted by the Documentation Center of the International Conference of Museums as exemplary of museum training, Introduction to Museum Work is used as a basic text in museum studies all over the world.
The First In A series of three titles that will showcase selected works from The Museum of Modern Art's superlative holdings in the fields of architecture & design, this handsome volume features a wide range of drawings by great architects of the modern age, including Frank Lloyd Wright, Alvar Aalto, Le Corbusier, & Ludwig Mies van der Rohe, as well as contemporary practitioners Rem Koolhaas, Frank O. Gehry, & Zaha Hadid. Their drawings & watercolors combine exacting detail with astonishing beauty. The full-page illustrations, expertly reproduced in color or black-and-white according to the original drawing, reveal not only the range of aesthetic viewpoints but also the development of architecture over the last century.

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