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Music has always been Ruby's first love. But has it ever loved her back? Slip behind the scenes of the classical music world one hot, anything-can-happen, New York City summer. "Delightful...Hits all the right notes." --Mackenzi Lee, author of The Gentleman's Guide to Vice and Virtue Ruby has always been Ruby Chertok: future classical pianist and daughter of renowned composer Martin Chertok. But after her horrendous audition for the prestigious music school where her father is on faculty, it's clear that music has publicly dumped her. Now Ruby is suddenly just . . . Ruby. And who is that again? All she knows is that she wants away from the world of classical music for good. Oscar is a wunderkind, a musical genius. Just ask any of the 1.8 million people who've watched him conduct on YouTube--or hey, just ask Oscar. But while he might be the type who'd name himself when asked about his favorite composer and somehow make you love him more for it, Oscar is not the type to jeopardize his chance to study under the great Martin Chertok--not for a crush. He's all too aware of how the ultra-privileged world of classical music might interpret a black guy like him falling for his benefactor's white daughter. But as the New York City summer heats up, so does the spark between Ruby and Oscar. Soon their connection crackles with the same alive, uncontainable energy as the city itself. Can two people still figuring themselves out figure out how to be together? Or will the world make the choice for them? "Seriously swoony...I loved it." --Rachel Hawkins, author of Royals "Sweet and intense...[An] engrossing romance with a social conscience." --Kirkus "Dreamy." --Bustle "Utterly romantic." --Tanaz Bhathena, author of A Girl Like That "Full of heart and humor. It crackles with energy." --Kelly Loy Gilbert, author of Picture Us in the Light "Timely and romantic." --Publishers Weekly "Beautiful, heartfelt, aware, and raw." --Lauren Gibaldi, author of This Tiny Perfect World "Thoughtful, nuanced." --Booklist
Selected by Peter Davison with an introduction by Edward Hirsch. Sissman was a true phenomenon in American poetry. He published his first book, a collection of antic, autobiographical episodes in blank verse, in 1968. Eight years and three books later, he died of Hodgkin's disease at the age of forty-eight. Of Sissman's remarkable final poems John Updike wrote, "What other poet had ever given such wry and unblinking witness to his own dying? His poetry gave back to life more generously than he had received, and carried his beautiful wit into darkness undimmed." Now Sissman's longtime editor, Peter Davison, has selected from his lifework the essential poems--the essence of an American original. (A Mariner Original)
Grieving Krys Markman has come to lose herself in family memories at Letchworth State Park, and try to figure out her next step. Yet the unearthly beautiful music she hears each night stirs her soul to romance. Can its creator, the attractive vampire David Helm, heal her broken heart?
The seductive melody on the night air had caught Devlin O'Hara's attention, and the hauntingly beautiful woman who created the music captured his heart. Devlin didn't know if Kate Gallagher was sinner or saint—what he did know was that he wanted to claim her for himself…. Kate, struggling with her own loss, was wary of the handsome O'Hara, who had trespassed into her sanctuary. Now the explosive emotions he stirred inside her warred with her instinct to protect her heart. But nothing had prepared Kate for the searing passion that awaited in Devlin's powerful embrace….
The dark and romantic novel by Jojo Moyes, internationally bestselling author of Me Before You, After You and the new bestseller Still Me. **** 'Warm, engaging and acutely observed.' - Woman and Home Isabel Delancey has always taken her gifted life for granted. But when her husband dies suddenly, leaving her with a mountain of debt, she and her two children are forced to abandon their home and move to a crumbling pile in the country. With the house falling down around them, and the last of her savings fast disappearing, Isabel turns to her neighbours, not knowing that her mere presence there has stirred up long-standing obsessions. As she fights to make her house a home, passions and lives collide. Isabel will discover an instinct for survival she never knew she had - and that a heart can play a new song . . . 'A skilful blend of emotional intensity and satisfyingly drawn characters' - Marie Claire
(Limelight). A Hard Day's Night: Music on Film Series is the story of the making of the greatest rock-and-roll movie of all time. Beginning with introductions to the film's stars chronicling their rise from a raggedy teenage skiffle band to the biggest pop act in the world the book goes on to tell how the American film company United Artists wanted to make a quick, low-budget movie starring the Fab Four so its record division could put out a motion picture soundtrack album full of new Beatles songs, in order to allow the studio to cash in on the incredible wave of Beatlemania then sweeping the planet. Director Richard Lester, producer Walter Shenson, and screenwriter Alun Owen were hired to churn out just another cheap exploitation film, but instead used the opportunity to create a startlingly fresh and original movie that broke new ground both in subject matter (instead of simply following genre tradition and sticking the band in some corny made-up plot, they had the Beatles play themselves in a narrative based on their own incredible real-life experiences) and in form (Lester's inspired, surrealist approach to the film's musical numbers kicked off the entire music video revolution). Covered is the film's frantic six-week shoot, the lively recording sessions that resulted in seven great new Beatles songs, and how both the film and the album met with great critical and popular success.

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