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Charles Reid is beloved as a teacher for his ability to guide students beyond the superficial and straight into the heart of what makes good painting good. In Painting by Design he explains how seeing your painting subjects in terms of light, shadow, shape, value, and color, will help you create striking works that embody effective design while capturing the intangible essence of the subject. A firm believer in drawing as an ideal tool for understanding a subject as an abstract form, Reid opens this book with lessons in contour and rhythm drawing, providing photographs for you to work from. Next comes a chapter on effective and reliable ways to treat color and value in your work. With clear and easy-to-follow pointers on working with oils and watercolors, Painting by Design explains how color functions as an important design element. Reid goes on to cover figure painting and the difficult art of rendering faces with realistic detail and expression, neatly demonstrating how the techniques and strategies learned in earlier chapters can be used to create specific effects. Finally, Reid shares his method of properly balancing a painting. Explaining how to combine what he refers to as "the effect" (sharp-focus, high-contrast compositional elements) with "the big blur" (softer edges, lighter values) to create interesting and dynamic artwork. Packed with assignments, detailed demonstrations, and illuminating examples, Painting by Design provides big-picture strategies and techniques alongside tips for identifying and addressing specific compositional problems. Ideal for any artist who wants to hone their skills and develop their sense of composition, Painting by Design stands out among Reid's impressive catalog of painting books. Readers interested in related titles from Charles Reid will also want to see: Flower painting in oil (ISBN: 9781626543805), Painting What (You Want) to See (ISBN: 9781626543782), Pulling Your Paintings Together (ISBN: 9781626543843), The Natural Way to Paint (ISBN: 9781626543829).
Award-winning artist and popular workshop teacher, Charles Reid describes in this volume how to see painting subjects in terms of light, shadow, shape, value, and color. Opening with a series on drawing using contour and rhythm basedon photographs, the book also features down-to-earth advice for working with watercolors and oil. 200 full-color and 30 black-and-white illustrations. 12,500 first printing.
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This is the first installment of a fully illustrated catalogue of the Academy's priceless collection of paintings and sculptures. 20 colour & 1370 b/w illustrations
Teaches both the fundamentals of character design and the skills of digital painting by exploring the key principles of design and teaching conventional artists how to enhance their traditional skills and transfer them to the Web through a variety of tutorials and exercises.
Where are you now in relation to the artist you started out to be? This book encourages the painter to aim for energies. Learn to create works with power in action or expression. Go beyond eyesight painting and concentrate on expression. A figure can be seen only against a background. This book is based on the theme of the artist's convictions.
If you have ever taken a Paint & Sip classes you know how much fun it is to be creative. What a great way to spend time with family and friends as you play with colorful paints and end up with a finished piece of art. Most people are unaware of the massive amounts of research showing that creativity makes people happier and less anxious while improving mental health after just one practice. While some people practice enough to make a career out of it many people just want to be creative while relieving stress with the excitement and fun of painting. This book offers many easy to follow designs for solo or group activity. With Paint & Sip Designs people can follow along and enjoy painting as they play with family and friends or on their own. With this process each person will have a wonderful design after just a few lines on the canvas. This system takes away all the math, line of horizon and grid lines and instead uses an easy to learn layout. The best part about this approach is that the system is progressive so you to get better every time you paint. Eventually you will be able to paint whatever interests you because you will have learned an approach to composition. Many people say that they have no creative ability and can only draw stick figures. However, after discovering the ease and fun of Paint & Sip they soon realize that, "hey I can draw, paint and of course sip, with easy." People just want to have fun and that is what this book is all about.
Examining the elements of good composition in painting, this book looks at each factor in turn, including shape, line, space, tone, texture, object size, and colour. Each point is illustrated via simple diagrammatic line drawings, and through the work of 24 artists the author demonstrates good composition in over 140 finished paintings. Key points, and some of the author's ideas, are highlighted in the tips section which closes each chapter.
This book, a valuable introduction to the Bauhaus movement, is generously illustrated with examples of students' experiments and typical contemporary achievements. The text also contains an autobiographical sketch.
Whether in private homes or hotels, restaurants or airports, wall paintings as décor add a rich, individualised dimension. Here, the work of illustrators, interior designers and graphic designers from different countries is presented to show the inspirational qualities they contain and release when integrated into interiors. This book shows the transformations, effects and possibilies they offer.
For early Maori, art was inseparable from daily life, whether it was the pattern on a sculpted spade handle or the magnificently carved prow of a war canoe. Julie Paama-Pengelly traces the evolution of art and design in historic Maori culture and brings that art to life, focusing on four major disciplines: * Weaving and fibre arts: includes tukutuku, kitemaking, basketry, netting and clothing * Painting and pigmentation: includes rock drawing and painting wooden objects * Sculpture and carving: includes stone, bone, wood carving and patterning * Architecture and structural arts: includes villages, storage and meeting houses, burial structures and bone containers. Chapters review the various art forms within each discipline and identify the source elements. Illustrated tables outline development periods, design conventions, and common figurative elements and motifs that distinguish Maori art and design. This book will be of great interest to readers who are new to the subject as well as to students and experts.
A fresh approach to portrait and figure painting in watercolor In Painting People in Watercolor, Alex Powers provides a comprehensive guide on working with watercolor, mastering the principals of design, and understanding the fundamentals of portrait painting. Powers takes the inquiring artist beyond photorealistic painting and acquaints painters with the human form from a design perspective. Shifting the focus from subject matter to composition and aesthetics, Powers demonstrates how you can enjoy watercolor painting by expressively capturing character in faces and figures. An abundance of Powers's paintings illustrate the theories and techniques covered. The culmination of 23 years of Powers's painting experience, Painting People in Watercolor provides clarity and insight on successful watercolor painting techniques for novice to advanced students and doubles as a guide for teachers. 175 color plates; 100 black & white illustrations. Alex Powers, a nationally recognized artist, instructor, and juror, has been a self-employed artist and teacher since 1970. While its style ranges from traditional to modern, his art is best known for its passionate, perceptive portrayals of the human form. As a writer and critic, he frequently contributes to art periodicals, and his work has been featured in museum and art exhibitions across North America. Powers divides his time between painting, drawing, and teaching workshops throughout the United States and Canada.
Pulling Your Paintings Together is a book about making connections: interweaving lines, shapes, and colors; moving backgrounds into foregrounds, positive shapes into negative ones, lost edges into found boundaries--all with the intention to create a painting or drawing that is a harmonious unit, with all elements subordinated to the effect of the whole. The medium is unimportant. Watercolor, oil, pen-and-ink, charcoal--all are here, each with its own set of rules and techniques. Yet each is surprisingly unfixed in its treatment. Oil can be handled like watercolor, charcoal like oil, pen lines can be smudged and softened, solid boundaries left broken and open. Because even between media there are relationships and interconnections. All is woven together, one into the other, media, treatments, brushstrokes--like the golden threads of a giant tapestry. Pulling Your Paintings Together is a wonderful addition to Charles Reid's library of art technique books.

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