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Guide to the Tuba Repertoire is the most comprehensive investigation ever undertaken into the literature and discography of any single musical instrument. Under the direction of R. Winston Morris and Daniel Perantoni, this publication represents more than 40 years of research by dozens of leading professionals throughout the world. The guide defines the current status of the tuba and documents its growth since its inception in 1835. Contributors are Ron Davis, Jeffrey Funderburk, David Graves, Skip Gray, Charles A. McAdams, R. Winston Morris, Mark A. Nelson, Timothy J. Northcut, Daniel Perantoni, Philip Sinder, Joseph Skillen, Kenyon Wilson, and Jerry A. Young.
This book is designed to help teachers from middle school through college find exciting new strategies to help students develop their literacy skills.
An excellent collection in Hinson's At the Piano Series. Contains many of his most popular Mazurkas, Preludes, Waltzes, Nocturnes--plus others! Includes informative biographical information and performance suggestions for each work.
The first English paperback edition of the unique collection of documents which reveal Chopin as teacher and interpreter of his own music.
This new book on Debussy's music comprises analytical studies of individual works not widely examined previously, including the Fantaisie for piano and orchestra, La demoiselle élue, Nuages, and Gigues. A discussion of the tonal structure of the first movement of La mer finds new relevance in the overused term symphonic in relation to Debussy's position in the history of French orchestral music. An extensive essay documents Debussy's aural images in his propensity for recycling his own musical ideas and quoting the music of other composers. A final lighthearted chapter, Debussy and Ravel: How to Tell Them Apart, systematically addresses this century-old critics' conundrum.
This collection of preludes in all major and minor keys contains a wealth of pedagogical challenges for the late-intermediate to early-advanced level student. Each prelude is designed to explore one or more pianistic problems, and serves as excellent preparatory repertoire for the more complex character pieces of the great masters of the nineteenth and twentieth centuries. The sounds of Bach, Mendelssohn, Schumann, Rachmaninoff, Debussy, Ravel, Gershwin, Prokofieff and Copland are echoed in the pieces in this collection.

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