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An inside look at the early years of Prince, presented through both iconic and never-before-seen images taken by the photographer who was at his side through it all.
Featuring insights on even more groundbreaking recording sessions, rehearsals, and sound checks, the expanded edition of Duane Tudahl's award-winning book pulls back the paisley curtain to reveal the untold story of Prince’s rise from cult favorite to the biggest rock star on the planet. His journey is meticulously documented through detailed accounts of his time secluded behind the doors of the recording studio as well as his days on tour. With unprecedented access to the musicians, singers, and studio engineers who knew Prince best, including members of the Revolution and the Time, Duane Tudahl weaves an intimate saga of an eccentric genius and the people and events who helped shape the groundbreaking music he created. From Sunset Sound Studios’ daily recording logs and the Warner Bros. vault of information, Tudahl uncovers hidden truths about the origins of songs such as “Purple Rain,” “When Doves Cry,” and “Raspberry Beret” and also reveals never-before-published details about Prince’s unreleased outtakes. This definitive chronicle of Prince’s creative brilliance during 1983 and 1984 provides a new experience of the Purple Rain album as an integral part of Prince’s life and the lives of those closest to him.
#1 NEW YORK TIMES BESTSELLER • The brilliant coming-of-age-and-into-superstardom story of one of the greatest artists of all time, in his own words—featuring never-before-seen photos, original scrapbooks and lyric sheets, and the exquisite memoir he began writing before his tragic death NAMED ONE OF THE BEST MUSIC BOOKS OF THE YEAR BY THE NEW YORK TIMES BOOK REVIEW AND ONE OF THE BEST BOOKS OF THE YEAR BY THE WASHINGTON POST AND THE GUARDIAN • NOMINATED FOR THE NAACP IMAGE AWARD Prince was a musical genius, one of the most beloved, accomplished, and acclaimed musicians of our time. He was a startlingly original visionary with an imagination deep enough to whip up whole worlds, from the sexy, gritty funk paradise of “Uptown” to the mythical landscape of Purple Rain to the psychedelia of “Paisley Park.” But his most ambitious creative act was turning Prince Rogers Nelson, born in Minnesota, into Prince, one of the greatest pop stars of any era. The Beautiful Ones is the story of how Prince became Prince—a first-person account of a kid absorbing the world around him and then creating a persona, an artistic vision, and a life, before the hits and fame that would come to define him. The book is told in four parts. The first is the memoir Prince was writing before his tragic death, pages that bring us into his childhood world through his own lyrical prose. The second part takes us through Prince’s early years as a musician, before his first album was released, via an evocative scrapbook of writing and photos. The third section shows us Prince’s evolution through candid images that go up to the cusp of his greatest achievement, which we see in the book’s fourth section: his original handwritten treatment for Purple Rain—the final stage in Prince’s self-creation, where he retells the autobiography of the first three parts as a heroic journey. The book is framed by editor Dan Piepenbring’s riveting and moving introduction about his profound collaboration with Prince in his final months—a time when Prince was thinking deeply about how to reveal more of himself and his ideas to the world, while retaining the mystery and mystique he’d so carefully cultivated—and annotations that provide context to the book’s images. This work is not just a tribute to an icon, but an original and energizing literary work in its own right, full of Prince’s ideas and vision, his voice and image—his undying gift to the world.
On a calm moonlit night, as the scent of jasmine and pine embraced the island of Ascension, the pirate prince Lazar di Fiori returns with lethal grace to avenge what was stolen from him: his kingdom, his birthright, his soul. . . . Allegra Monteverdi, the daughter of Lazar's sworn enemy, proves an uncommonly powerful adversary. She throws herself on his mercy, her courage and beauty touching his cold, unforgiving heart. He agrees to spare the lives of her family--but only if Allegra sails away with him as his captive. For his quest for vengeance still burns fiercely, and he will settle for nothing less than Allegra's body and soul. Alone at sea with this dark, intriguing man, moving between seduction and fear, Allegra gazes into eyes as deep and mysterious as the night and sees who this pirate really is. Lazar--the prince of her childhood dreams. Though he was rumored to be murdered years ago, she always believed someday he would return. But it will take more than her love for this pirate prince to bring peace to her beloved home. For Lazar must face the demons of his shattered past--if he is to forge the destiny that is theirs to claim. . . . From the Paperback edition.
The complete, critically-acclaimed debut fantasy trilogy: The Broken Empire by Mark Lawrence. This bundle includes PRINCE OF THORNS, KING OF THORNS and EMPEROR OF THORNS.
Of all the men who rode with Billy the Kid, one of the least well-know is Henry Newton Brown. Brown broke with Billy the Kid and for a time served as an assistant marshal of Tascaso, Texas. Restless and looking for a better life, Brown ended up in Caldwell, Kansas in where he became an assistant marshal and eventually, after Bat Carr was fired, he became the marshal, of the cowtown known as the Border Queen.Sure that his past had been safely left in New Mexico, he began to settle-in as a respected citizen of Caldwell. He was honored with the gift of an engraved Winchester as a token of the town?s appreciation. A short time later, he married a local school teacher, purchased a house, and then his past caught up with him and he discovered that life is full of choices, and always with a ?passel of consequences.?
In The Land of Weddings and Rain, Gediminas Lankauskas examines the components of the contemporary urban wedding – religious and civil ceremonies, “traditional” imagery and practices, and the conspicuous consumption of domestic and imported goods – in the context of the Western-style modernization of post-socialist Lithuania. Studying the tensions between “tradition” and “modernity” that surround this important ritual event, Lankauskas highlights the ways in which nationalism serves to negotiate the impact of modernity in the aftermath of state socialism’s collapse. His analysis also shows the importance of consumption and commodification to Lithuania’s ongoing “Westernization.” Based on more than a decade of ethnographic research, The Land of Weddings and Rain is a fascinating account of the tensions – between national and transnational, East and West, and old and new – that shape life in post-socialist Eastern Europe.

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