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From the bestselling author of The Most Beautiful Walk in the World comes this first book in an exciting new series of narrative “biographies” of Paris’s great neighborhoods, beginning with Saint-Germain-des-Pres—the city’s “rebel quarter,” for centuries a center of artistic, intellectual, and revolutionary activity and home to some of Paris’s most iconic cafes and shops. For many years, Saint-Germain-des-Pres has been a stronghold of sans culottes, a refuge to artists, a paradise for bohemians. It’s where Marat printed L’Ami du Peuple and Thomas Paine wrote The Rights of Man. Napoleon, Hemingway, and Sartre have all called it home. Descartes is buried there. Now bestselling author and Paris expert, John Baxter takes readers and travelers on a narrative tour of Saint-Germain-des-Pres, which is also where Baxter makes his home. Tucked along the shores of the Left Bank, Saint-Germain-des-Pres embodies so much of what makes Paris special. Its cobblestone streets and ancient facades survive to this day, spared from modernization thanks to a quirk in their construction. Traditionally cheap rents attracted outsiders and political dissidents from the days of Robespierre to the student revolts of the 1960s. And its intellectual pedigree boasts such luminaries as Pablo Picasso, Arthur Rimbaud, F. Scott Fitzgerald, Simone de Beauvoir, Gertrude Stein, and Albert Camus. Baxter reveals all, guiding readers to the cafes, gardens, shops, and monuments that bring this hidden history to life. Part-history, part-guidebook, Saint-Germain-des-Pres is a fresh look at one of the City of Light’s most iconic quarters, and a delight for new tourists and Paris veterans alike.
Complemented by two hundred evocative period photographs, an English translation of the classic account of Paris in the 1950s explores the Left Bank cafs, galleries, underground jazz clubs, theaters, and salons that were home to the existentialist and post-surrealistic circles of the era, with portraits of Jean Cocteau, Jean Genet, Miles Davis, and Jean-Paul Sartre, among others.
In 885 AD, the Vikings laid siege to Paris, to which a young monk named Abbo, of the abbey of Saint-Germain-des-Pres, stood as witness. Later, he came to make a record of what he saw, heard and believed in a verse chronicle, the Bella parisiacae urbis. His often stirring account speaks of the relentless and ingenious attacks of the Norsemen, the selfless heroism of the defending Frankish warriors, and the misery and terror of the besieged Parisians. But his canvas is far larger than this single occurrence, for he hints at greater things yet to come, such as the final disintegration of Carolingian rule, the eventual establishment of the Capetian line of monarchs, and the creation of a French Danelaw, namely, Normandy. Ultimately, however, Abbo is not concerned with an impartial narration of events, but rather with salvation through history - of the individual and of the nation of the Franks. The macaronic style of his chronicle very much appealed to the sensibilities of the time, thus ensuring that Abbo's work would endure.
This reference for scholars contains entries on the sources of various works of Anglo Saxon literary culture, including oral traditional literature as well as written texts. Each entry summarizes the evidence for the currency of a given text in Anglo Saxon literary culture as a whole. Types of evidence noted include extant manuscripts, mention of a work in a booklist, translations of Anglo Saxon versions, quotations or citations, and reference to a work by an Anglo Saxon writer. The entries are organized both by author and by title. c. Book News Inc.

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