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With both training and preparation, a street photographer needs to make rapid decisions; there may only be a fraction of a second to immortalize a moment in time that has never happened before and will never happen again. This is where Street Photography: Creative Vision Behind the Lens comes in. Follow Valérie Jardin on an inspiring photo walk around the world. After an overview of the practical and technical aspects of street photography, Valérie takes you along on a personal photographic journey as she hits the streets of her favorite urban haunts. She shows you the art of storytelling through her photographs, from envisioning the image to actually capturing it in the camera. Learn about the technical and compositional choices she makes and the thought process that spurred the click of the shutter. Perfect for both the new photographer excited to capture the world around them and for the experienced street photographer wishing to improve their techniques and images, Street Photography requires no special equipment, just a passion for seeing and capturing the extraordinary in the ordinary.
'To put it simply, this book is fun. It’s also funny, deep, at times disturbing, at other times profoundly hopeful. But every image gets remade in ways that hold a bit of genius' Lens Culture 'Funny, tragic and often bizarre, Stephen Leslie’s photos in his book Sparks are an unique ode to street photography' Guardian A family is brought close to ruin by a pet python; an Icelandic advertising agency has a problem with a campaign involving a dead seagull; a chiropodist desperately wants to stop examining people’s feet and dreams of becoming a pirate... Stephen Leslie has always tried to capture images that hint at wider, hidden narratives – suggestive moments rather than decisive ones – and Sparks is a book that imagines the weird and wonderful stories behind his original street photographs. It is a love-letter to photography, pairing eighty beautiful colour images – shot on film – with these stories, as well as the author’s recollections of twenty years spent looking through the lens.
Street photography is perhaps the best-loved and most widely known of all photographic genres, with names like Cartier-Bresson, Brassai and Doisneau familiar even to those with a fleeting knowledge of the medium. Yet, what exactly is street photography? From what viewpoint does it present its subjects, and how does this viewpoint differ from that of documentary photography? Looking closely at the work of Atget, Kertesz, Bovis, Rene-Jacques, Brassai, Doisneau, Cartier- Bresson and more, this elegantly written book, extensively illustrated with both well-known and neglected works, unpicks Parisian street photography's affinity with Impressionist art, as well as its complex relationship with parallel literary trends and authors from Baudelaire to Philippe Soupault. Clive Scott traces street photography's origins, asking what really what happened to photography when it first abandoned the studio, and brings to the fore fascinating questions about the way the street photographer captures or frames those subjects - traders, lovers, entertainers - so beloved of the genre. In doing so, Scott reveals street photography to be a poetic, even 'picturesque' form, looking not to the individual, but to the type; not to the 'reality' of the street but to its 'romance'.
Simple and direct view into street photography. Tips and techniques alongside many pictures, to help you navigate your way through the streets for rules-free picture making. Book includes topics such as: photographing at night, taking pictures in the rain, what is street photography, alternatives, accidental work and more. The main purpose of this book is to be an inspiration for you to find your own unique style and expression while having fun photographing the streets of your town.
This visually arresting book takes the reader on a journey across the globe by presenting the most candid, immediate, and provocative images captured by the biggest names in street photography from its inception to today. Capturing daily life in every corner of the world, this sumptuous collection of great street photography shows the very best of the genre. From pre-war gelatin silver prints to 21st-century digital images, from documentary to abstract, from New York's Central Park to a mountain city in Mongolia, these photographs reveal the many ways street photography moves, informs, and excites us. The book includes work by the likes of Margaret Bourke-White, Henri Cartier-Bresson, Joel Meyerowitz, Gordon Parks, André Kertész, Garry Winogrand, Roger Mayne, and other masters of street photography who pushed the genre's boundaries and continue to innovate today. Each exquisitely reproduced photograph is presented on a double-page spread and accompanied by an informative text. David Gibson's insightful introduction traces the history of street photography, reflects on its broad appeal, and looks toward the future of the genre.
Please note that all blank pages in the book were chosen as part of the design by the publisher. A good street photographer must be possessed of many talents: an eye for detail, light, and composition; impeccable timing; a populist or humanitarian outlook; and a tireless ability to constantly shoot, shoot, shoot, shoot and never miss a moment. It is hard enough to find these qualities in trained photographers with the benefit of schooling and mentors and a community of fellow artists and aficionados supporting and rewarding their efforts. It is incredibly rare to find it in someone with no formal training and no network of peers. Yet Vivian Maier is all of these things, a professional nanny, who from the 1950s until the 1990s took over 100,000 photographs worldwide—from France to New York City to Chicago and dozens of other countries—and yet showed the results to no one. The photos are amazing both for the breadth of the work and for the high quality of the humorous, moving, beautiful, and raw images of all facets of city life in America’s post-war golden age. It wasn’t until local historian John Maloof purchased a box of Maier’s negatives from a Chicago auction house and began collecting and championing her marvelous work just a few years ago that any of it saw the light of day. Presented here for the first time in print, Vivian Maier: Street Photographer collects the best of her incredible, unseen body of work.
Street photographs are mirror images of society, the subjects are usually unaware that they are being photographed, creating a spontaneous response to life as it happens in front of your eyes. Street photography is unplanned. You really never know what you’re going to get on any given day. A street photo should tell a story, or causes you wonder what is happening at the moment. Barcelona is a street photographer's dream. Public markets offer a treasure trove of photos, so you will see images from La Boqueria Market and Mercat de Santa Caterina. Las Ramblas is always crowded and is an excellent source of candid photos. This book is a collection of black and white images of people caught in the act of going about their daily lives.

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