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A fascinating book demonstrating the influence of alchemy and esoteric traditions on the mature art of Marcel Duchamp.
This re-examination of alchemical engravings of the late Renaissance uses an innovative semiotic method in analysing their geometrical and optical rhetorical devices. The images are contextualised within contemporary metaphysics, specifically, the discourse of light, and in Protestant reformism.
In this thoughtful discussion of Blake's well-known Marriage of Heaven and Hell, Singer shows us that Blake was actually tapping into the collective unconscious and giving form and voice to primordial psychological energies, or archetypes, that he experienced in his inner and outer world. With clarity and wisdom, Singer examines the images and words in each plate of Blake's work, applying in her analysis the concepts that Jung brought forth in his psychological theories.
New Scientist magazine was launched in 1956 "for all those men and women who are interested in scientific discovery, and in its industrial, commercial and social consequences". The brand's mission is no different today - for its consumers, New Scientist reports, explores and interprets the results of human endeavour set in the context of society and culture.

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