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A world-renowned, founding figure in analytical psychology, and one of the twentieth century's most vibrant thinkers, C.G. Jung imbued as much inspiration, passion, and precision in what he made as in what he wrote. Though it spanned his entire lifetime and included painting, drawing, and sculpture, Jung's practice of visual art was a talent that Jung himself consistently downplayed out of a stated desire never to claim the title "artist." But the long-awaited and landmark publication, in 2009, of C.G. Jung's The Red Book revealed an astonishing visual facet of a man so influential in the realm of thought and words, as it integrated stunning symbolic images with an exploration of "thinking in images" in therapeutic work and the development of the method of Active Imagination. The remarkable depictions that burst forth from the pages of that calligraphic volume remained largely unrecognized and unexplored until publication.The release of The Red Book generated enormous interest in Jung's visual works and allowed scholars to engage with the legacy of Jung's creativity. The essays collected here present previously unpublished artistic work and address a remarkably broad spectrum of artistic accomplishment, both independently and within the context of The Red Book, itself widely represented. Tracing the evolution of Jung's visual efforts from early childhood to adult life while illuminating the close relation of Jung's lived experience to his scientific and creative endeavors, The Art of C.G. Jung offers a diverse exhibition of Jung's engagement with visual art as maker, collector, and analyst.
First published in 1967. Routledge is an imprint of Taylor & Francis, an informa company.
The writings of C. G. Jung himself are the best place to read about all his main ideas—but where to start, when Jung's Collected Works run to more than eighteen volumes? Robert H. Hopcke's guide to Jung's voluminous writings shows exactly the best place to begin for getting a handle on each of Jung's key concepts and ideas—from archetypal symbols to analytical psychology to UFOs. Each chapter explains one of Jung's principal concerns, then directs the reader where to read about it in depth in the Collected Works. Each chapter includes a list of secondary sources to approach for further study—which the author has updated for this edition to include books published in the ten years since the Guided Tour's first appearance.
The publication will be gratifying to disciples of Jung, agreeably provocative to followers of other theoretical persuasions, and useful to all graduate psychoanalysts as a general refernce tool.
In this book, Tjeu van den Berk examines C. G. Jung's personal perspective on art and how his work intensely engages with this theme. It analyses Jung's profound reflections on artistic considerations such as how we experience art, the specific qualities in the perception of beauty, the nature of the creative process and the aesthetic attitude. Jung on Art considers Jung's feelings about art simply being 'art' rather than reducing it to a moral, political, religious or psychological product. It also discusses Jung's notion that the artist is only a breeding ground for a piece of art, and once complete, the piece has an independent existence. Topics covered include: symbolism the difference between art and aesthetics Jung's ideas about himself as an artist the psychology of art Jung's perspective on modern art and surrealism. This book will be of great interest to all Jungian scholars, as well as those interested in the meeting of Jung and art.
Nine essays, written between 1922 and 1941, on Paracelsus, Freud, Picasso, the sinologist Richard Wilhelm, Joyce's Ulysses, artistic creativity generally, and the source of artistic creativity in archetypal structures.

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