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Castellani examines the various ways writers have solved the crucial point-of-view problem. By unpacking the narrative strategies at play in the work of authors as different as E.M. Forster, Grace Paley, and Tayeb Salih, among many others, he offers answers to one of the most important questions faced by writiers: who tells the story?
In this book three issues are discussed which all concern the history of perspective and pertain to the work of the 17th-century artist Pieter Saenredam, best known for his paintings of church interiors. The book opens with an introduction on central perspective, followed by a discussion of the relationship between central perspective and freehand drawing, in which the concept of 'implicit curvilinear perspective' is introduced. In the next chapter Saenredam's construction technique is examined in detail. It explores, for example, how and why Saenredam combined distant point perspective with costruzione legittima abbreviata in one and the same drawing. The investigation of his methods is centered around the construction drawings Saenredam made by rule and compass. The final section of the book deals with the means by which Saenredam acquired his knowledge of perspective.
Perspective is the art of understanding the space that surrounds us, and then having the skill to reproduce what we see in an image-to ? flatten” the world on a sheet of paper. This clear and richly illustrated book features more than 400 diagrams that introduce artists, graphic designers, and architects to the principles of perspective, so that they can create their own illusion of reality.
Everything you need to know to put your drawings and paintings into perspective! If the concept of perspective makes you think of confusing angles, fancy measuring gadgets and complicated theories, get ready for a very pleasant surprise. In this comprehensive guide, Phil Metzger demystifies perspective, presenting it simply as a matter of mimicking the way we see--like the way a distant mountain appears blue, or a road seems to narrow in the distance. The Art of Perspective offers simple but powerful techniques for achieving a convincing illusion of depth and distance, whether it's a few inches in a still life or miles in a landscape. • Start simple, with atmospheric perspective and intuitive techniques, and gradually progress to linear perspective and more complex challenges such as stairways, curves and reflections. • Use the engaging, step-by-step demonstrations and exercises to try out each essential concept for yourself, making lessons clearer and more memorable. • Learn theories that apply to all mediums, with specific advice for achieving effects using acrylic, oil, watercolor and pencil. • Get the inside scoop on professional tricks and shortcuts that make perspective easier than ever! Forget everything you think you know (or don't know) about perspective. This book builds an easy-to-follow, ground-up understanding of how to turn a flat painting or drawing surface into a living, breathing, dimensional scene that lures viewers in. No matter how you look at it, it's the ultimate guide to perspective for artists of every medium and skill level.
The best-selling guide…now completely updated to include online tutorials! Basic Perspective Drawing introduces students, both those in formal design courses and self-learners, to the basic principles and techniques of perspective drawing. Clear and accessible illustrations show how to construct perspective views one step at a time. The new, streamlined Sixth Edition contains must-have content for students and instructors in art and design, architecture, and interior design programs. Updated illustrations reflect the most current drawing styles and examples while supplementary tutorial videos, grouped by architectural disciplines, interior design, and studio art/illustration, provide live-action demonstrations of key topics discussed in the book.
For an artist, the first step toward creating a realistic drawing is learning how to "see" a subject. Perspective is an essential tool for artists of every medium, helping to transfer the three-dimensional world onto a two-dimensional canvas. Beginning with a basic overview of how perspective works, Perspective for the Beginning Artist introduces aspiring artists to the differences between one-, two-, and three-point perspective, as well as methods of how to measure and divide areas of a subject or scene proportionally. Using basic lessons of depth and distance, artists can practice their own perspective drawings with step-by-step instructions for still life, architecture, and landscapes and apply their newfound knowledge to create realistic and proportionate artwork in any medium. In addition, the book covers mastering perspective using the most common beginning drawing tools, including graphite pencil, charcoal, pastels and ink.
In addition to linear perspective, complex numbers and probability were notable discoveries of the Renaissance. While the power of perspective, which transformed Renaissance art, was quickly recognized, the scientific establishment treated both complex numbers and probability with much suspicion. It was only in the twentieth century that quantum theory showed how probability might be molded from complex numbers and defined the notion of “complex probability amplitude”. From a theoretical point of view, however, the space opened to painting by linear perspective and that opened to science by complex numbers share significant characteristics. The Art of Science explores this shared field with the purpose of extending Leonardo’s vision of painting to issues of mathematics and encouraging the reader to see science as an art. The intention is to restore a visual dimension to mathematical sciences – an element dulled, if not obscured, by historians, philosophers, and scientists themselves.
This comprehensive drawing handbook covers all aspects of perspective drawing, including essential concepts such as horizon line and vanishing point. With its clear step-by-step labelled drawings, this is an essential book for any budding artist who would like to master the art of drawing perspective.
Have we completely missed the point of the modern western revolution in the arts? Hugh Moss thinks so, and here he presents a refreshingly original and thought-provoking new approach to understanding art. It not only makes sense of western art over the past century or more, but applies equally to the art of any culture at any time, all within one enlightening framework that, well ... works. This new perspective is impossible to ignore - a theory that places art right at the centre of the evolution of human consciousness, as a key driver of the process. Argued with intelligence, panache and wit, The Art of Understanding Art provides a delightfully entertaining read that will change the way you think about and look at art, whether you are a collector (or would like to be), a connoisseur, an academic, a student or of course an artist (or would like to be). It is illustrated with intriguing skill, depth and humour by Peter Suart.
Computers can calculate perspective angles and create a drawing for us, but the spontaneity of mark making, the tactile quality of a writing surface, the weight of a drawing instrument, and the immediacy of the human touch are sensations that keep traditional drawing skills perpetually relevant. The sensuality and convenience of the hand persists and will survive as a valuable communication tool, as will the need to accurately express your ideas on paper. As a professional, understanding the foundations of drawing, how we process images, and how we interpret what we see are principal skills. Understanding linear perspective enables artists to accurately communicate their ideas on paper. The Complete Guide to Perspective Drawing offers a step-by-step guide for the beginner as well as the advanced student on how to draw in one-point through six-point perspective and how to make scientifically accurate conceptual illustrations from simple to complex situations.

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