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A complete collection of short works offers insight into the progression of the writer's work throughout a thirty-year period and features, among other tales, the complete texts of At the Gates of the Animal Kingdom, Tumble Home, and The Dog of the Marriage. Reprint. 25,000 first printing.
A quietly powerful presence in American fiction in during the past two decades, these collected stories show the true scale of Hempel's achievement. Her compact fictions, populated by smart neurotic somewhat damaged narrators, speak grandly to the longings and insecurities in all of us, and in a voice that is bracingly direct and sneakily profound.These are stories about people who make choices that seem inevitable, whose longings and misgivings evoke eternal human experience. With her trademark compassion and wit, Hempel takes readers into the marriages, minor disasters and moments of revelation in an uneasy America.
“All the tawdry details I’m dying for are in these stories, but they’re given out like old sweaters—without shame, without guile. Amy Hempel is the writer who makes me feel most affiliated with other humans; we are all living this way—hiding, alone, obsessed—and that’s ok.” —Miranda July From legendary writer Amy Hempel, one of the most celebrated and original voices in American short fiction: a ravishing, sometimes heartbreaking new story collection—her first in over a decade. Amy Hempel is a master of the short story. A multiple award winner, Hempel is highly regarded among writers, reviewers, and readers of contemporary fiction. This new collection, her first since her Collected Stories published more than a decade ago, is a literary event. These fifteen exquisitely honed stories reveal Hempel at her most compassionate and spirited, as she introduces characters, lonely and adrift, searching for connection. In “A Full-Service Shelter,” a volunteer at a dog shelter tirelessly, devotedly cares for dogs on a list to be euthanized. In “Greed,” a spurned wife examines her husband’s affair with a glamorous, older married woman. And in “Cloudland,” the longest story in the collection, a woman reckons with the choice she made as a teenager to give up her newborn infant. Quietly dazzling, these stories are replete with moments of revelation and transcendence and with Hempel’s singular, startling, inimitable sentences.
Over the past twenty-five years, New Stories from the South has published the work of now well-known writers, including James Lee Burke, Andre Dubus, Barbara Kingsolver, John Sayles, Joshua Ferris, and Abraham Verghese and nurtured the talents of many others, including Larry Brown, Jill McCorkle, Brock Clarke, Lee Smith, and Daniel Wallace. This twenty-fifth volume reachs out beyond the South to one of the most acclaimed short story writers of our day. Guest editor Amy Hempel admits, “I’ve always had an affinity for writers from the South,” and in her choices, she’s identified the most inventive, heartbreaking, and chilling stories being written by Southerners all across the country. From the famous (Rick Bass, Wendell Berry, Elizabeth Spencer, Wells Tower, Padgett Powell, Dorothy Allison, Brad Watson) to the finest new talents, Amy Hempel has selected twenty-five of the best, most arresting stories of the past year. The 2010 collection is proof of the enduring vitality of the short form and the vigor of this ever-changing yet time-honored series.
A compilation of acclaimed short stories that each take place within a single scene
Presents a collection of fifty-nine familiar and unfamiliar stories by such writers as John Cheever, Ray Bradbury, Flannery O'Connor, Edmund White, and Richard Wright.
A collection of short stories depicting and analyzing key issues in America's "New Gilded Age", a phrase that embodies the glitz and glamour of one of the wealthiest countries in the world but also suggests the greed, corruption, and inequalities teeming just below the surface.
This book focuses specifically on short fiction written since 1950, a particularly rich and diverse period in the history of the form. A selective approach has been taken, focusing on the best and most representative work.
Addresses minimalism as demonstrating a parallel poetic to that of the short story, and analyzes many works of short fiction by Raymond Carver, Amy Hempel and Mary Robison which reflect this relationship. This book traces the evolution of literary minimalism as a by-product of the short story.
In 1998, Ellen Jong was at a party on Canal Street in New York's TriBeCa. As the bathroom line was too long, she headed to the street to take a leak. Jong squatted just behind some junked furniture on the curb of the sidewalk, and her pee trickled down like wet paint on a wall. Being a photographer, she had her Yashica T4 with her, and turned around to her suspect puddle to capture what she thought looked more like blood in a murder scene than pee. Since that fateful urination, Jong has captured her tracks through New York, Miami, Shanghai, and Mexico, the countryside, woodside, and seaside, under moonlight and opposite sunset. Since then, Jong has amassed a sizeable body of work, a collection of images that fuse documentary, landscape, and fine art photography and portraiture into a uniquely personal statement. The work, exhibited at various galleries, is all gathered inPees on Earth; a collection of images that are at once challenging, provocative, intriguing, courageous, amusing, and beautiful. These images capture not only Jong's rebellious exuberance, but also offer a comment on what constitutes the personal and the political.Pees on Earthis a statement about the ownership of self, of sensuality, of humanity, and of womanhood-all expressed with beauty and a great deal of humor. There's a sigh of relief on every page ofPees on Earth.Jong's photographs assert her place on the planet and, because we all share the act, they assert ours too. It is a manifesto for our collective existence, a cry for all sentient beings: "I am! I pee!"
Short Fiction and Critical Contexts: A Compact Reader is a challenging, versatile, and engaging resource for the study of short fiction. This collection features a diverse group of writers from differing ethnic, cultural, and national backgrounds and highlights female and Canadian authors.Each story is introduced by a brief biography of the author, information on his or her approach to writing fiction, and information about the story itself. The second half of the text collects a variety of documents written on the topic of the short story, many by the authors featured in the firsthalf of the text. The combination of stories and their context makes this an invaluable reader for students studying the short story at any level.Online Instructor's Manual offers:* Grammar review, including self-testing quizzes* Advice on creative writing* Comprehensive up-to-date information on citing literature in MLA * Lists of further readings, interesting links* Study and Discussion questions* Access to Documentation in the Humanities: Updated Guidelines for Style and Referencing online
A quarterly anthology of short writings, the only one of the year's four issues to be unrestricted by theme, offers insights into each contributing writer's passions, in a collection consisting of profiles, interviews, food writing, and more. Original.
To read these interviews given between 1969 and 1996 is to gain insights into William Kennedy's high seriousness in pursuing the craft of fiction and to witness the artistic growth of this remarkable writer. The twenty-four interviews in this collection reveal how the opportunities and challenges in Kennedy's writing life parallel those other contemporary writers have faced in the last years of the century.The high drama of imagined worlds, he says, becomes a Rosetta Stone, the key that unlocks the very real mysteries and complexities of our daily lives.You're inventing out of a confluence of known facts and random ideas, he says about the process of writing, juxtaposing reality and abstractions, and then wham You've got something brand new in your head, and on the page. You're functioning on a plane of existence you didn't know was possible. That's creation, and it's profound pleasure. It's what you live for.Readers of these interviews will be privy to another process as well, the arduous but exciting process by which Kennedy has emerged as a major voice in contemporary letters. His meteoric rise to fame in 1983 and his continuing popularity since are the stuff of drama and folklore. In that year his novel Ironweed, rejected earlier by thirteen publishers, was finally published by Viking. It earned him a MacArthur Award, the New York Book Critics Circle Award, and a Pulitzer Prize. Governor Mario Cuomo honored him with the New York State Governor's Arts Award and declared that in Kennedy Albany (had) found its Homer. Hollywood came calling and secured screen rights to Ironweed, Legs, and Billy Phelan's Greatest Game. With Francis Ford Coppola, Kennedy co-wrote thescreenplay of The Cotton Club.The career that lifted off with such dramatic momentum has shown no signs of flagging. With steady regularity, Kennedy continues to add to his Albany Cycle of novels, as he experiments boldly with the craft of fiction.
The new edition of this comprehensive anthology by a well-known literary critic, scholar, and teacher continues to bring a new awareness of how the world of fiction, poetry, and drama is expanding in a multicultural, global, and electronic environment. Authors represented include a high proportion of women as well as writers from non-Western cultures and from a variety of American cultural traditions.
A collection of stories portrays a variety of characters whose vision is slightly skewed and whose inner logic keeps leading them to make bad decisions as they become obsessed and irrational about the places they call home. 15,000 first printing.
Profiles more than four hundred authors of short fiction from around the world, presenting biographical and bibliographic information and summaries of major works. Also includes a reference volume with a chronology; a bibliography; lists of major award winners; twenty-nine essays on short-fiction history, theory, and world cultures; and three indexes.

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