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This attractive boxed set includes: The Digital Photography Book, Part 1, 2nd Edition (ISBN 0321934946), The Digital Photography Book, Part 2, 2nd Edition (ISBN 0321948548), The Digital Photography Book, Part 3 (ISBN 0321617657), The Digital Photography Book, Part 4 (ISBN 0321773020), and The Digital Photography Book, Part 5 (0133856887). Scott Kelby, the man who changed the "digital darkroom" forever, shows which buttons to push, which settings to use, when to use them, and hundreds of the most closely guarded photographic "tricks of the trade" to get budding photographers shooting dramatically better-looking, sharper, more colorful, more professional-looking photos with their digital camera every time they press the shutter button. Scott tackles the most important side of digital photography–how to take pro-quality shots using the same tricks today's top digital pros use (and it's easier than you'd think). Each chapter is packed with plain English tips on using flash, shooting close-up photography, travel photography, shooting people, and even how to build a studio from scratch, where he demystifies the process so anyone can start taking pro-quality portraits today! Plus, he's got full chapters on his most requested topics, including loads of tips for landscape photographers, wedding photographers, and sports photographers. Chapter after chapter, page after page, Scott shares all the pros' secrets for making your photos look more professional, no matter what you're shooting. This bundle has a value of US $125.
With over 800 of the most closely guarded photographic “tricks of the trade,” this boxed set–consisting of all four parts of Scott Kelby’s best-selling series, The Digital Photography Book–is the ultimate resource for any one who wants to shoot dramatically better-looking, sharper, more colorful, more professional-looking photos every time. Camera technology advances quickly, and with this boxed set now including updated editions of Parts 1 and 2, readers will find refreshed tips and tricks to be current for today's photographer. The equipment Scott uses and recommends to the reader has been updated, as well as prices, links, and pictures. In Part 1, Scott has added a new chapter, addressing the top 10 things he wishes he would've been taught when he was just starting out in photography. And, there is a whole new section in Part 2 entitled "The Seven Deadly Sins of Landscape Photography," where Scott discusses the biggest traps in landscape shots-and how to avoid them in order to create breathtaking imagery. Scott Kelby, the man who changed the “digital darkroom” forever with his groundbreaking, best-selling The Photoshop Book for Digital Photographers, now tackles the most important side of digital photography–how to take professional-quality shots using the same tricks today’s top digital pros use (and it’s easier than you think). These aren’t books of theory, full of confusing jargon and detailed concepts. These are books on which button to push, which setting to use, and when to use it. Each page covers a single concept on how to make your photography better. Every time you turn the page, you’ll learn another pro setting, tool, or trick to transform your work from snapshots into gallery prints. If you’re tired of shots that look “okay,” and if you’re tired of looking in photography magazines and thinking, “Why don’t my shots look like that?” then these are the books for you.
Love taking pictures with your digital camera? Want to improve your skills, but don’t have a lot of time to spend? How about some straight-to-the-point tips that cut to the chase and show you step by step how to accomplish a task? If that sounds like just what you had in mind, Digital Photography Just The Steps For Dummies, 2nd Edition is exactly what you need. This handy, full-color guide breaks down the most important tasks into simple two-page, illustrated instructions. You choose what you want to do, flip to the right page, follow the instructions, and voilà! A new skill is yours! Digital Photography Just The Steps For Dummies, 2nd Edition covers important tasks from choosing a camera to printing your photos or turning them into slideshows or galleries. You’ll be able to: Select and use various lenses Take advantage of your meters Use tripods, screens, and scrims when shooting Work with depth of field Shoot and process Camera Raw images Download and organize your pictures Understand and use color profiles Edit in the “quick fix” mode Restore a vintage photo Create an online photo gallery, greeting cards, calendars, or CD jackets More than 170 digital photography tasks are presented in this easy-to-use, full-color reference. Grab a copy and find out how much more fun you can have with your digital camera!
This edition updates the first with current technologies and tricks for taking, editing, and printing top quality digital pictures. Chapters cover choosing a camera, composing and taking pictures, building a photo archive on computer or online, printing photos, editing images, and projects that incorporate digital pictures.
Editor’s note : These definitions err on the side of succinctness and are intended to be beginning points for the serious student. An attempt to standardize terminology commonly found in the medium of fine arts photographs that avoids copyrighted term or trade names (‘‘dye-destruction print’’ in lieu of ‘‘Cibachrome’’ and so on) has been made using guidelines set forth by the J. Paul Getty Institute. In acknowledgment of the increase in collecting vintage prints and the perennial interest in historical processes, many nineteenth century processes and obsolete terms are included. Cross referencing within the glossary is indicated by italics; encyclopedia entries are indicated by small capitals. Additive colors The primary colors of red, green and blue which are mixed to form all other colors in photo- graphic reproduction. See entry COLOR THEORY: NATURAL AND SYNTHETIC . Agfacolor Trade name for a subtractive color film manufactured by the European company Agfa-Gevaert; analogous to Kodachrome and Ansocolor. Albumen print Prints obtained from a process in wide use during the nineteenth century in which paper is prepared with an albumen emulsion obtained from egg whites and made light sensitive with a silver nitrate solution. See also Collodion process ; Dry plate processes . Amberlith An orange acetate historically used for masking mechanicals during the process of preparing plates for commercial printing. The area so masked photographs as black to the camera, printing clear on the resulting positive film. See also Rubylith . Ambrotype An image created by the collodion process, historically on glass, which gives the illusion of being positive when placed against a dark backing, often a layer of black lacquer, paper, or velvet. Also see Ferrotype . Anamorphic image An image featuring differing scales of magnification across the picture plane, especially varying along the vertical and horizontal axes, with the result being extreme distortion. Aniline A rapid-drying oil-based solvent used in the preparation of dyes and inks for photographic applications. Aniline process A method of making prints directly from line art (drawings) on translucent materials bypassing the need for a negative. Also see Diazo process . Aniline printing See Flexography . Angle of incidence The measurement in degrees in terms of the deviation from the perpendicular of the angle at which light hits a surface. Angle of view The measurement in degrees of the angle formed by lines projected from the optical center of a lens to the edges of the field of view. This measurement is used to identify lenses and their appropriateness to capture various widths or degrees of actual space in a photographic representation, thus an extreme telephoto lens captures between 6 and 15
The Encyclopedia of Twentieth-Century Photography explores the vast international scope of twentieth-century photography and explains that history with a wide-ranging, interdisciplinary manner. This unique approach covers the aesthetic history of photography as an evolving art and documentary form, while also recognizing it as a developing technology and cultural force. This Encyclopedia presents the important developments, movements, photographers, photographic institutions, and theoretical aspects of the field along with information about equipment, techniques, and practical applications of photography. To bring this history alive for the reader, the set is illustrated in black and white throughout, and each volume contains a color plate section. A useful glossary of terms is also included.

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