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Giving generously, even sacrificially, is part of radical Christian discipleship. In this booklet, John Sott takes us through the Apostle Paul's teaching on giving. The Didasko Files RESOURCES FROM THE LAUSANNE MOVEMENT The Lausanne Movement is a confessional movement that seeks to articulate the role of today's Church. It links together evangelical movements around the world, and is the largest representative gathering of the Church. The Didasko Files is a growing series--that takes its name from the New Testament Greek verb didasko, meaning "I teach"--used by those involved with the Lausanne Movement. These books are meant to serve the world's Church by helping Christians to grow in their faith.
What does biblical prosperity have to do with giving? While it is clear from Scripture that God desires to prosper His children materially, the Word's emphasis is not on amassing personal wealth but on having a generous heart like the Father's. Ché Ahn believes that God desires to prosper His people, and that He will do so as they trust His grace to provide for their needs and seek to reflect His giving, blessing image. This happens as believers repent of the hindrances of mind and heart that motivate them to grasp at wealth in unhealthy and self-defeating ways. The Grace of Giving guides readers to tear down the idols of wealth and poverty and to flourish in God's presence and provision.
What does biblical prosperity have to do with giving? While it is clear from Scripture that God desires to prosper His children materially, the Word’s emphasis is not on amassing personal wealth but on having a generous heart like the Father’s. Ché Ahn believes that God desires to prosper His people, and that He will do so as they trust His grace to provide for their needs and seek to reflect His giving, blessing image. This happens as believers repent of the hindrances of mind and heart that motivate them to grasp at wealth in unhealthy and self-defeating ways. The Grace of Giving guides readers to tear down the idols of wealth and poverty and to flourish in God’s presence and provision.
For Elena del Río, extreme cinema is not only qualitatively different from the representations of violence we encounter in popular, mainstream cinema; it also constitutes a critique of the socio-moral system that produces (in every sense of the word) such violence. Drawing inspiration from Deleuze's ethics of immanence, Spinoza's ethology of passions and Nietzsche's typology of forces, The Grace of Destruction examines the affective extremities common in much of global, contemporary cinema from the affirmative perspective of vital forces and situations-extremities such as moral/religious oppression, biopolitical violence, the pain involved in gender relations, the event of death and planetary extinction. Her analysis diverges from the current literature on extreme cinema through its selection of films, which include key international examples, and through its foregrounding of relational, affective politics over representations of sexuality and graphic violence. Detailed formal and philosophical analyses of films like The White Ribbon, Dogville, Code Unknown, Battle in Heaven, Sonatine, Fireworks, Dolls, Takeshis', Inland Empire and Melancholia are meant to move us away from the moral appraisal of violence and destruction, and to compose an ethological philosophy of cinema based on Deleuze's idea that, “when truth and judgment crumble, there remain bodies, which are... nothing but forces.”

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