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** Jørn Lier Horst is the winner of the 2018 Nordic Noir Thriller of the Year award ** You loved Wallander, now meet Wisting . . . ___________ Katharina went missing twenty-four years ago. Each year on the anniversary of her disappearance Chief Inspector William Wisting visits her husband, the man he could never help. He re-reads her files, searching for the answer he could never find. The code he could never solve. Until now. This year is going to be different. Another woman is missing. And so is Katharina's husband. Wisting has to find him, but is he rescuing a dear friend, or playing a deadly game? ___________ SOON TO BE A MAJOR TV SERIES FROM THE PRODUCERS BEHIND WALLANDER AND THE GIRL WITH THE DRAGON TATTOO. ___________ Set between the icy streets and dark forests of Norway, The Katharina Code is a heart-stopping story of one man's obsession with his coldest case. Atmospheric, gripping and suspenseful; this is Nordic Noir at its very best. ___________ 'Well-written and fast paced. This book had me gripped. This is the first book I've read by Jorn Lier Horst, and it won't be the last' 4* reader review 'Jørn Lier Horst is one of the most brilliantly understated crime novelists writing today' The Sunday Times 'The game of cat and mouse was exciting . . . I will be on the lookout for more books by Horst' 4* reader review 'Up there with the best of the Nordic crime writers' Marcel Berlin, The Times
You loved Wallander, now meet Wisting . . . ___________ Twenty-four years ago Katharina Haugen went missing. All she left behind was her husband Martin and a mysterious string of numbers scribbled on a piece of paper. Every year on October 9th Chief Inspector William Wisting takes out the files to the case he was never able to solve. Stares at the code he was never able to crack. And visits the husband he was never able to help. But now Martin Haugen is missing too. As Wisting prepares to investigate another missing person's case he's visited by a detective from Oslo. Adrian Stiller is convinced Martin's involved in another disappearance of a young woman and asks Wisting to close the net around Martin. But is Wisting playing cat and mouse with a dangerous killer or a grief-stricken husband who cannot lay the past to rest? ___________ SOON TO BE A MAJOR TV SERIES FROM THE PRODUCERS BEHIND WALLANDER AND THE GIRL WITH THE DRAGON TATTOO. ___________ Set between the icy streets and dark forests of Norway, The Katharina Code is a heart-stopping story of one man's obsession with his coldest case. Atmospheric, gripping and suspenseful; this is Nordic Noir at its very best. ___________ 'Jørn Lier Horst is one of the most brilliantly understated crime novelists writing today' Joan Smith, Sunday Times 'Up there with the best of the Nordic crime writers' Marcel Berlin, The Times 'A good Nordic police procedural with well-drawn characters' Choice Magazine
A compelling explanation of how the law shapes the distribution of wealth Capital is the defining feature of modern economies, yet most people have no idea where it actually comes from. What is it, exactly, that transforms mere wealth into an asset that automatically creates more wealth? The Code of Capital explains how capital is created behind closed doors in the offices of private attorneys, and why this little-known fact is one of the biggest reasons for the widening wealth gap between the holders of capital and everybody else. In this revealing book, Katharina Pistor argues that the law selectively “codes” certain assets, endowing them with the capacity to protect and produce private wealth. With the right legal coding, any object, claim, or idea can be turned into capital—and lawyers are the keepers of the code. Pistor describes how they pick and choose among different legal systems and legal devices for the ones that best serve their clients’ needs, and how techniques that were first perfected centuries ago to code landholdings as capital are being used today to code stocks, bonds, ideas, and even expectations—assets that exist only in law. A powerful new way of thinking about one of the most pernicious problems of our time, The Code of Capital explores the different ways that debt, complex financial products, and other assets are coded to give financial advantage to their holders. This provocative book paints a troubling portrait of the pervasive global nature of the code, the people who shape it, and the governments that enforce it.
This book is about the use of two languages in everyday life. Bilingualism is a facet of nearly every country in the world and code-switching is a widespread characteristic of bilingual speech. An obvious and at the same time interesting aspect is that bilinguals will, of course, stay within one language when talking to monolinguals. However, when talking to other bilinguals, they will probably use both languages. Thus, in bilingual conversations, they often switch from one language to another and frequently even within an utterance. Such kinds of switches call for a special competence of the two languages involved. But how well the bilinguals have to know each of the languages is a justifiable question. These switches are not arbitrary since they may depend on the situation of the conversation, the topic of the conversation, the emotional aspects involved, the language preference of the speaker and the need to express the own identity. The goal of this book is to look in detail at code-switching in bilingual communication with the help of the present study on Russian-German bilinguals.
Codes of Conduct formulieren Verhaltensstandards und steuern Verhaltensweisen von Mitarbeiterinnen und Mitarbeitern in Unternehmen. Sie sollen dazu beitragen, Korruption, Bestechung, Betrug und Diskriminierung zu verhindern. Codes of conduct dienen der Selbstkontrolle und sind Selbstverpflichtungen der Unternehmen, sich gesetzeskonform und in ethischer Hinsicht einwandfrei zu verhalten. Zur Entwicklung, Einfuhrung und Durchsetzung von Codes of Conduct sind Ethics & Compliance Programme notwendig, die den Mitarbeitern die Ziele und Inhalte der Codes vermitteln. Je nach bereichsspezifischer und regionaler Ausrichtung der Unternehmen unter- scheiden sich ihre Codes of Conduct in Inhalt und Gestaltung. In dieser Studie werden die Codes of Conduct von sechs Pharmaunternehmen in Europa, USA und Japan analysiert und verglichen.
Following the resource-based view, social network theory and transaction cost theory, Katharina Wratschko shows the complex relationship between a firm’s business strategy and its alliance portfolio.

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