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A landmark in the history of African American fiction, this gripping 1901 novel unfolds against the backdrop of the post-Reconstruction South, climaxing in a race riot based on an actual 1898 incident.
This teaching edition of Charles W. Chestnutt's 1901 novel about racial conflict n a southern town features an extensive selection of materials that place the work in its historical context. The documents include letters, photographs, editorials, speeches, legal decisions, journalism, and essays by writers such as W.E.B. DuBois, Booker T. Washington, and Charlotte Perkins Gilman.
Growing up in Cleveland after the Civil War and during the brutal rollback of Reconstruction and the onset of Jim Crow, Charles W. Chesnutt could have passed as white but chose to identify himself as black. An intellectual and activist involved with the NAACP who engaged in debate with Booker T. Washington and W. E. B. Du Bois, he wrote fiction and essays that addressed issues as various as segregation, class among both blacks and whites, Southern nostalgia, and the Wilmington coup d'├ętat of 1898. The portrayals of race, racial violence, and stereotyping in Chesnutt's works challenge teachers and students to contend with literature as both a social and an ethical practice. In part 1 of this volume, "Materials," the editors survey the critical reception of Chesnutt's works in his lifetime and after, along with the biographical, critical, and archival texts available to teachers and students. The essays in part 2, "Approaches," address such topics in teaching Chesnutt as his use of dialect, the role of intertextuality and genre in his writing, irony, and his treatment of race, economics, and social justice.

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