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Offers a source of literary modernism in the twentieth century.
The Origin of German Tragic Drama
Language: en
Pages: 256
Authors: Walter Benjamin
Categories: Drama
Type: BOOK - Published: 2009 - Publisher: Verso Trade

Offers a source of literary modernism in the twentieth century.
Origin of the German Trauerspiel
Language: en
Pages: 336
Authors: Walter Benjamin, Howard Eiland
Categories: German drama (Tragedy)
Type: BOOK - Published: 2019-02-04 - Publisher:

Focusing on the 17th-century play of mourning, Walter Benjamin identifies allegory as the constitutive trope of modernity, bespeaking a haunted, bedeviled world of mutability and eternal transience. In this rigorous elegant translation, history as trauerspiel is the condition as well as subject of modern allegory in its inscription of the
The Creature in Walter Benjamin's Early Essays and in the Origin of German Tragic Drama
Language: en
Pages: 114
Authors: Viola Kolarova
Categories: German drama (Tragedy)
Type: BOOK - Published: 2000 - Publisher:

Books about The Creature in Walter Benjamin's Early Essays and in the Origin of German Tragic Drama
Cultural Memory and Historical Consciousness in the German-speaking World Since 1500
Language: en
Pages: 316
Authors: Christian Emden, David R. Midgley
Categories: History
Type: BOOK - Published: 2004 - Publisher: Peter Lang

This is the first of three volumes based on papers given at the conference 'The Fragile Tradition: The German Cultural Imagination Since 1500' in Cambridge, 2002. Together they provide a conspectus of current research on the cultural, historical and literary imagination of the German-speaking world across the whole of the
Olive Schreiner and African Modernism
Language: en
Pages: 196
Authors: Jade Munslow Ong
Categories: Literary Criticism
Type: BOOK - Published: 2017-10-20 - Publisher: Routledge

This book works across established categories of modernism and postcolonialism in order to radically revise the periods, places, and topics traditionally associated with anti-colonialism and aesthetic experimentation in African literature. The book is the first account of Olive Schreiner as a theorist and practitioner of modernist form advancing towards an