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Acclaimed historian Alan Brinkley gives us a sharply realized portrait of Henry Luce, arguably the most important publisher of the twentieth century. As the founder of Time, Fortune, and Life magazines, Luce changed the way we consume news and the way we understand our world. Born the son of missionaries, Henry Luce spent his childhood in rural China, yet he glimpsed a milieu of power altogether different at Hotchkiss and later at Yale. While working at a Baltimore newspaper, he and Brit Hadden conceived the idea of Time: a “news-magazine” that would condense the week’s events in a format accessible to increasingly busy members of the middle class. They launched it in 1923, and young Luce quickly became a publishing titan. In 1936, after Time’s unexpected success—and Hadden’s early death—Luce published the first issue of Life, to which millions soon subscribed. Brinkley shows how Luce reinvented the magazine industry in just a decade. The appeal of Life seemingly cut across the lines of race, class, and gender. Luce himself wielded influence hitherto unknown among journalists. By the early 1940s, he had come to see his magazines as vehicles to advocate for America’s involvement in the escalating international crisis, in the process popularizing the phrase “World War II.” In spite of Luce’s great success, happiness eluded him. His second marriage—to the glamorous playwright, politician, and diplomat Clare Boothe—was a shambles. Luce spent his later years in isolation, consumed at times with conspiracy theories and peculiar vendettas. The Publisher tells a great American story of spectacular achievement—yet it never loses sight of the public and private costs at which that achievement came. From the Hardcover edition.
Based on five current case studies, this volume explores the extent to which politicians who simultaneously serve as newspaper editors or publishers fulfill their ethical duties to serve as "watchdog" over the government and to provide a forum for robust democratic debate. The book features interviews with the editors/publishers and with a sample of their readers, and provides results of a survey of readers who were asked whether it is possible to "wear two hats" and do both jobs effectively and responsibly. Newspaper articles and editorial pages are also examined for possible conflicts of interest in occupying two roles.
This volume explores problems concerning the series, national development and the national canon in a range of countries and their international book-trade relationships. Studies focus on issues such as the fabrication of a national canon, and on the book in war-time, the evolution of Catholic literature, imperial traditions and colonial libraries.
This publication aims to reconfirm the creative role of the publisher as a conduit for culture built upon the knowledge and experience of the past, as well as to explore the publishers' new role, and legal protection of the publishers' rights, in our evolving digital and information-based society. - Publisher's Rights: The Legal Expression of the Creative Role of the Publisher - Electronic Copyright Management Systems - Value Innovation on the Network - Partners' Perspectives - Asian Experiences - Trading by Electronic Copyright Management Systems - Enforcement of Rights - Conclusion, Recommendations or Resolutions.
For those of us who write books, Microsoft Word 2010 has 7 magic areas we use to get the format just right. I'm going to take you through each of the areas and show you exactly how to format your document so that your final book will pass the formatting requirements of the publisher. If you use this guide effectively the final book can look like the books made by the big 6 printing houses.
An interior look at Roberto Calasso's work as a publisher and his reflections on the art of book publishing In this fascinating memoir, the author and publisher Roberto Calasso meditates on the art of book publishing. Recalling the beginnings of Adelphi in the 1960s, he touches on the Italian house's defining qualities, including the considerations involved in designing the successful Biblioteca series and the strategy for publishing a wide range of authors of high literary quality, as well as the historic critical edition of the works of Nietzsche. With his signature erudition and polemical flair, Calasso transcends Adelphi to look at the publishing industry as a whole, from the essential importance of graphics, jackets, and cover flaps to the consequences of universal digitization. And he outlines what he describes as the "most hazardous and ambitious" profile of what a publishing house can be: a book comprising many books, a form in which "all the books published by a certain publisher could be seen as links in a single chain"—a conception akin to that of other twentieth-century publishers, from Giulio Einaudi to Roger Straus, of whom the book offers brief portraits. An essential book for writers, readers, and editors, The Art of the Publisher is a tribute to the elusive yet profoundly relevant art of making books.
A shooting at the media company of Harris Simmons has left its legendary CEO dead and the company President, the African American wunderkind, Donald Alexander in a coma. The police investigation that follows reveals Harris Simmons to be a place with dark secrets, predatory actors and master abusers of power and privilege. And when the case is solved, it wonÕt be quietly. It will be dramatic and change the company of Harris Simmons forever.
His hundreds of signed, front-page editorials, from 1916 to 1941, on virtually every public issue of his day, were forceful commentaries that not only sold newspapers, but engineered and influenced legislation. The Publisher, the first biography of Paul Block, tells the story of his rise to the summit of American newspaper chains and chronicles his business and social relationship with William Randolph Hearst.
It’s the annual Book Fair in Gothenburg. Josefina works for the respected book publisher, Gabriel ́s, and tonight they are hosting an exclusive cocktail party with a theme: "Arabian love". Richard Steel, an older and very successful author is also at the Fair. He is Josefina’s favourite author. But she is his publisher, and she must be professional. A cocktail party with turbans, gold and drinks, and Richard is irresistible; a genie who is there to make Josefina’s wishes come true. They move closer and closer to each other and they have a magic connection. He is forbidden. But it doesn’t matter. Or maybe it’s part of the attraction? "The Publisher" is a novella about instant desire, a desire as powerful as magic, and a Book Fair that offers something extraordinary. Vanessa Salt is a pseudonym. Vanessa finds inspiration for the stories on her many travels, where hot exotic places nourish her erotic fantasies. She writes with humour about the passion that can arise when you least expect it.
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