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The July/August 2019 issue of Hugo Award-winning Uncanny Magazine. Featuring new fiction by Sarah Pinsker, Greg van Eekhout, Rachel Swirsky and P.H. Lee, Marie Brennan, A.C. Wise, and Maurice Broaddus. Reprinted fiction by Tim Pratt, essays by Aidan Moher, Tansy Rayner Roberts, Karlyn Ruth Meyer, Marissa Lingen, and Elsa Sjunneson-Henry, poetry by D.A. Xiaolin Spires, Alexandra Seidel, Cynthia So, and Betsy Aoki, interviews with Greg Van Eekhout and Maurice Broaddus by Caroline M. Yoachim, a cover by Julie Dillon, and an editorial by Lynne M. Thomas and Michael Damian Thomas.
Viking navigation Isotopes of hydrogen Physics online: The race to the Moon: 50 years on Skillset: Measuring the Planck constant Who are they? Donna Strickland At a glance: Polarised light Exam talkback: Polarising filters Crossword: Clues Radiation: not so simple Mathskit: Forces and free-body diagrams Crossword: Light and heat: solution and notes Index to Volume 28 Cherenkov radiation
In the Spring 2012 issue of Southern Cultures… Guest editor Marcie Cohen Ferris brings together some of the best new writing on Southern food for the Summer 2012 issue of Southern Cultures , which features an interview with TREME writer Lolis Elie and Ferris's own retrospective on Southern sociology, the WPA, and Food in the New South. The Food issue includes Rebecca Sharpless on Southern women and rural food supplies, Bernard Herman on Theodore Peed's Turtle Party, Will Sexton's "Boomtown Rabbits: The Rabbit Market in Chatham County, North Carolina," Courtney Lewis on how the "Case of the Wild Onions" paved the way for Cherokee rights, poetry by Michael Chitwood, and much more. Southern Cultures is published quarterly (spring, summer, fall, winter) by the University of North Carolina Press. The journal is sponsored by the University of North Carolina at Chapel Hill's Center for the Study of the American South.
A descendant of a Micmac chief, the author presents a book on Native American spirituality. Outlining the Seven Points of Respect for Native American ceremonies, he goes on to describe their way of life: They don't write in metaphor, they speak it; they don't recite poetry, they live it.

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