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"A Best Book of 2017" —NPR, Buzzfeed, Paste Magazine, Esquire, Chicago Tribune, Vol. 1 Brooklyn, CBC, Stereogum, National Post, Entropy, Heavy, Book Riot, Chicago Review of Books, The Los Angeles Review, Michigan Daily *American Booksellers Association (ABA) 'December 2017 Indie Next List Great Reads' *Midwest Indie Bestseller In an age of confusion, fear, and loss, Hanif Abdurraqib's is a voice that matters. Whether he's attending a Bruce Springsteen concert the day after visiting Michael Brown's grave, or discussing public displays of affection at a Carly Rae Jepsen show, he writes with a poignancy and magnetism that resonates profoundly. In the wake of the nightclub attacks in Paris, he recalls how he sought refuge as a teenager in music, at shows, and wonders whether the next generation of young Muslims will not be afforded that opportunity now. While discussing the everyday threat to the lives of black Americans, Abdurraqib recounts the first time he was ordered to the ground by police officers: for attempting to enter his own car. In essays that have been published by the New York Times, MTV, and Pitchfork, among others—along with original, previously unreleased essays—Abdurraqib uses music and culture as a lens through which to view our world, so that we might better understand ourselves, and in so doing proves himself a bellwether for our times. "Funny, painful, precise, desperate, and loving throughout. Not a day has sounded the same since I read him." —Greil Marcus, Village Voice
The Looney’s Grotto is an action/adventure with a gothic horror twist. This is a decadent and depraved tale whereby the victim becomes the predator. He invents an estranged underworld for his animals and ally. When the victim becomes the predator he literally enslaves his adversaries, refers to them as animals, and treats them as such. They in return referred to him as the looney, but never in his presence. The looney acquires an ally that was so mistreated by two of the animals that she became slightly deranged. She seeks payback by assiting the looney in reprimanding the animals in various unique forms of chastening and discipline. Most of which were considered appropriate in years past, but would be frowned upon in our so-called civilized world. The obstacles he has to overcome are many, as well as heroic in nature. Self-sacrifice and determination play a large part in his journey toward his goal.
Faulkner said that "Life is motion" and that "The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life." The author's purpose is, in the light of these statements, to define Faulkner’s intentions as a novelist and to analyze the more important technical devices used to carry them out. Because the poems and prose sketches Faulkner wrote before Soldiers’ Pay contain many clues that help to explain what he did in his later and more artistically successful fiction, they are treated more thoroughly than usual. Professor Adams considers the functional relation of the intentions, structures, and texture of Faulkner’s work, and shows how the style, imagery, and symbolism support the strategy of making the motion of life visible by stopping it. Originally published in 1968. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
Shaladen Chronicles extends an invitation to both Science Fiction and Fantasy readers, as well as any mainstream readers willing to put aside what they know to enjoy a trip through time and space. Like all good science fiction, the Shaladen universe generally plays by the rules of physics as we know and speculate about them. Additionally, like in good fantasy, magic exists--it has rules and most importantly a cost. In the Shaladen universe we have heroes and super-heroes, villains, and super villains... we have the full gamut of emotions and situations: love, unrequited love, humor, hate, and people driven by revenge. It is a place where a mortal man can shake hands with an immortal, and the boundaries of time-space can be broken with a thought. Whatever you favor in your reading, I promise it will all make sense even if some of it is unfamiliar. Prime your imagination pump, sit back with your favorite beverage, take book in hand, and prepare for a ride that won't disappoint...
A celebration of the everyday lives of Minnesotans through the centuries–those who paused here on their way to someplace else and those who made the state their home.

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