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Literary legend James Bond returns to his 1950s heyday in this exhilarating thriller by Sunday Times bestselling author Anthony Horowitz. It's 1957 and James Bond (agent 007) has only just survived his showdown with Auric Goldfinger at Fort Knox. By his side is Pussy Galore, who was with him at the end. Unknown to either of them, the USSR and the West are in a deadly struggle for technological superiority. And SMERSH is back. The Soviet counter-intelligence agency plans to sabotage a Grand Prix race at the most dangerous track in Europe. But it's Bond who finds himself in the driving seat and events take an unexpected turn when he observes a suspicious meeting between SMERSH's driver and a sinister Korean millionaire, Jai Seong Sin. Soon Bond is pitched into an entirely different race uncovering a plan that could bring the West to its knees. Welcoming back familiar faces, including M and Miss Moneypenny, international bestselling author Anthony Horowitz ticks all the boxes: speed, danger, strong women and fiendish villains, to reinvent the golden age of Bond in this brilliantly gripping adventure. Trigger Mortis is also the first James Bond novel to feature previously unseen Ian Fleming material. This is James Bond as Fleming imagined him.
Johnny Liddell, private investigator, is not accustomed to a quiet life. But life was never less quiet for him than after he was called in by Celeste Pierce, a redhead who is giving several famous bosomy blondes a run for their money. Everything was going swimmingly for Celeste until she was blackmailed by Bare Facts, a magazine which had some bare facts about Celeste from her girl-in-the-pie period. She is willing to pay for pictures and films, and Johnny sets off to get them back. Unfortunately for Johnny’s peace of mind, impetuous Celeste goes off herself to see Murray Carter, the unattractive publisher of the unattractive periodical. The next day she is found dead in his apartment, and someone has obviously lent a helping hand since there is a bullet hole in the back of his skull. Johnny is given forty-eight hours and a free hand by the police to check on other blackmailers of Bare Facts. His search leads him everywhere from a Harlem dope joint to a boxers' hangout, with trouble all the way. He finally solves the riddle, no thanks to anybody but himself.
With the culmination of a long-term project in Iraq, Colonel S is ready to meet and shake hands with his other self. The other half however, does not make him an entire person. His emotional skills have failed him. As a matter of fact he knows now that something is very wrong. Watch this relationship with himself unfold as cigarette men, from the invisible cosmos of his mind, come off their packages and engage with him, plead with him for reason, in all aspects of his life and eventually guide his thought processes.
80 sure-fire scripts and other onstage fun to illustrate your lessons and enliven your events! - Just for Fun . . . Short stunts, funny skits, sight gags, easy prep -- we've got 'em all. If you have even one or two students who love hamming it up and making spectacles of themselves, you'll find plenty of funny fodder here. - Spontaneous Melodramas . . . Fueled by groans, catcalls, cheers, and boos from your small or large audience, student actors in these no-rehearsal melodramatic spoofs will bring down the house. Don't know what spontaneous melodramas are? Plunge into an entertaining and instructive explanation of what they are and how to use them for the most effect, beginning on page 51. - Sketches with a Point . . . Drama is an ideal medium for grabbing people's attention and priming them for a meeting, a talk, or a Bible study. Have a particular topic in mind? Find your topic (in the topical index, page 7), and you're on your way to just the right script. Whether you're a youth worker or recreation director in a church, school, club, or camp -- Drama, Skits, & Sketches is your storehouse of proven, youth-group tested ideas.
A CENTURY OF SPY FICTION: REFLECTIONS ON THE GENRE brings together Nader Elhefnawy's writings on that subject. From the birth of the spy story in the marriage of detective fiction with the invasion story to the genre's post-Cold War travails, from the forgotten but hugely important adventures of the original "international man of mystery" Duckworth Drew to the reimagining of Jason Bourne, from the notorious weirdness of the Bond villains to the prose style of John le Carre, they trace the broader history while peering at many a keyhole to see just what has been going on all the while in this often mysterious genre about mystery.
This book is about the manifestations and explorations of the heroic in narrative literature since around 1800. It traces the most important stages of this representation but also includes strands that have been marginalised or silenced in a dominant masculine and higher-class framework - the studies include explorations of female versions of the heroic, and they consider working-class and ethnic perspectives. The chapters in this volume each focus on a prominent conjuncture of texts, histories and approaches to the heroic. Taken together, they present an overview of the ‘literary heroic’ in fiction since the late eighteenth century.
With the end of the Mayan calendar fast approaching, fourteen-year-old Max Murphy and his new friend Lola, the modern Maya girl who saved his life in the perilous jungle, are racing against time to outwit the twelve Lords of Death. Following the trail of the conquistadors, their quest takes them back to the wild heart of Spain—a forgotten land steeped in legend, superstition, and ever more bizarre tourist festivals. With a pack of hellhounds on their heels and the cape-twirling Count Antonio de Landa in hot pursuit, the teens must face madness and betrayal, bluff and double-bluff, to uncover the terrible secrets of the long-lost Yellow Jaguar. But no matter where they run, all roads lead to Xibalba. There, in the cold and watery Maya underworld, we finally discover why only Max Murphy can save the world from the villainous Lords of Death.

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