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Presents twenty-two color maps and accompanying essays providing details on the people, ecology, and culture of the city.
"The maps themselves are things of beauty." —The New York Times Explore the hidden histories of San Francisco, New Orleans, and New York with this brilliant reinvention of the traditional atlas. From Rebecca Solnit, Rebecca Snedeker, and Joshua Jelly-Schapiro. In the past decade, Rebecca Solnit—aided by local writers, artists, historians, urbanists, ethnographers, and cartographers—has compiled three stunning atlases that have radically changed the way we think about place. Each atlas provides a vivid, complex look at the multi-faceted nature of a city as experienced by its different inhabitants, replete with the celebrations and contradictions that make up urban life. This three-volume paperback set contains: The original, gorgeously designed atlases—Infinite City: A San Francisco Atlas; Unfathomable City: A New Orleans Atlas; and Nonstop Metropolis: A New York City Atlas Three new and updated, full-color, fold-out posters for each city, including the popular “City of Women” map A new and thoughtful essay by Rebecca Solnit reflecting on the project ten years after the publication of the first atlas A stunning collection, this boxed set is a perfect treasury of imagination and insight, a rich people’s history of these infinite cities.
Since six months after landfall, Ellen Blue has taught "The Church's Response to Katrina." It sidesteps disaster response, where clearly the church should be involved. What was unclear was how leaders in a connectional denomination like United Methodism should decide which churches to merge or decommission after floods destroyed seventy churches and displaced ninety pastors, and no one knew how many members would return. Katrina gave the church a chance to re-make itself without deteriorating structures in no-longer-thriving neighborhoods. Yet as members returned to chaos, they sought solace. Should the church meet needs for Sanctuary and reassurance or use newfound flexibility to seek justice? In Case of Katrina examines leadership strategies and the theological convictions that underlay them during the struggle to decide. The larger United Methodist Church controls real estate, and the hierarchy had the power to choose. Instead they let verdicts spring primarily from congregants and pastors on the ground through a long, controversial process. Recovery has been entwined with issues of race and class. Cooperation among African American and Anglo congregations has birthed vibrant multi-racial worship and ministries. Yet other prophetic ministry was left undone, and it should set the agenda for the next decade.
Cities are composed of a combination of urban and rural spaces, buildings and boundaries, and human bodies engaged in political, social, and cultural discourses. Together, these combine to create what the contributors to this volume call multiple landscapes. Developing a new theoretical conceptualization of cities, this book unites American and European approaches to comparative urban studies by investigating the concept of multiple landscapes in two sister cities: New Orleans and Innsbruck. As the essays reveal, both New Orleans and Innsbruck have long been centers of multicultural exchange, have strong senses of historical heritage, and profit from the spectacular geographies in which they are situated. Geography, in particular, links both cities to environmental, technological, and security challenges that must be considered in connection with aesthetic, cultural, and ecological debates. Exploring the many connections between New Orleans and Innsbruck, the interdisciplinary essays in this book will change the way we think about cities both local and abroad.
This book considers the ways in which contemporary American fiction seeks to imagine a mode of ‘planetary memory’ able to address the scalar and systemic complexities of the Anthropocene – the epoch in which the combined activity of the human species has become a geological force in its own right. Authors examine the recent emergence of a literary and cultural imaginary of planetary memory, an imaginary which attempts to give form to the complex interrelations between human and non-human worlds, between local, national, and global concerns, and, perhaps most importantly, between historical and geological pasts, presents and futures. Chapters highlight distinct regions and landscapes of the US - from the Appalachians, to the South West, the Rust Belt, New York City, Alaska, New Orleans and the Rocky Mountains – in order to examine how the ecological, economic and historical specificity of these environments is underpinned by their implication on networks of planetary significance and scope. Overall, the collection aims to study, develop, and recognise new models of cultural memory and anxious anticipation as they emerge and evolve, thus opening new conversations about practices of remembering and remembrance on an increasingly fragile planet. This book was originally published as a special issue of Textual Practice.
"A beautiful, absorbing, tragic book."—Larry McMurtry In 1851, a war began in what would become Yosemite National Park, a war against the indigenous inhabitants. A century later–in 1951–and a hundred and fifty miles away, another war began when the U.S. government started setting off nuclear bombs at the Nevada Test Site. It was called a nuclear testing program, but functioned as a war against the land and people of the Great Basin. In this foundational book of landscape theory and environmental thinking, Rebecca Solnit explores our national Eden and Armageddon and offers a pathbreaking history of the west, focusing on the relationship between culture and its implementation as politics. In a new preface, she considers the continuities and changes of these invisible wars in the context of our current climate change crisis, and reveals how the long arm of these histories continue to inspire her writing and hope.
“An incisive and necessary” (Roxane Gay) debut for fans of Get Out and Paul Beatty’s The Sellout, about a father’s obsessive quest to protect his son—even if it means turning him white “Stunning and audacious . . . at once a pitch-black comedy, a chilling horror story and an endlessly perceptive novel about the possible future of race in America.”—NPR LONGLISTED FOR THE CENTER FOR FICTION FIRST NOVEL PRIZE, THE PEN/OPEN BOOK AWARD, AND THE PEN/FAULKNER AWARD • NAMED ONE OF THE BEST BOOKS OF THE YEAR BY NPR AND THE WASHINGTON POST “You can be beautiful, even more beautiful than before.” This is the seductive promise of Dr. Nzinga’s clinic, where anyone can get their lips thinned, their skin bleached, and their nose narrowed. A complete demelanization will liberate you from the confines of being born in a black body—if you can afford it. In this near-future Southern city plagued by fenced-in ghettos and police violence, more and more residents are turning to this experimental medical procedure. Like any father, our narrator just wants the best for his son, Nigel, a biracial boy whose black birthmark is getting bigger by the day. The darker Nigel becomes, the more frightened his father feels. But how far will he go to protect his son? And will he destroy his family in the process? This electrifying, hallucinatory novel is at once a keen satire of surviving racism in America and a profoundly moving family story. At its center is a father who just wants his son to thrive in a broken world. Maurice Carlos Ruffin’s work evokes the clear vision of Ralph Ellison, the dizzying menace of Franz Kafka, and the crackling prose of Vladimir Nabokov. We Cast a Shadow fearlessly shines a light on the violence we inherit, and on the desperate things we do for the ones we love.

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