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A lucid analysis on the remarkable group of women who influenced and were influenced by this genius.
"This is the first major work in the English language devoted entirely to the uniforms, insignia, and history of the female auxiliaries that served in the German armed forces during WWII. Using wartime photographs and references, along with contemporary sources and examples, the author presents an in-depth look at the contributions of female auxiliaries to Germany's war effort. Interrogations of German prisoners who were familiar with the evolution of the Wehrmachthelferinnenkorps served as the foundation for this work, presenting a unique perspective on the subject."--Jacket.
Valkyries: the female supernatural beings that choose who dies and who lives on the battlefield. They protect some, but guide spears, arrows and sword blades into the bodies of others. Viking myths about valkyries attempt to elevate the banality of war – to make the pain and suffering, the lost limbs and deformities, the piles of lifeless bodies of young men, glorious and worthwhile. Rather than their death being futile, it is their destiny and good fortune, determined by divine beings. The women in these stories take full part in the power struggles and upheavals in their communities, for better or worse. Drawing on the latest historical and archaeological evidence, Valkyrie introduces readers to the dramatic and fascinating texts recorded in medieval Iceland, a culture able to imagine women in all kinds of roles carrying power, not just in this world, but pulling the strings in the other-world, too. In the process, this fascinating book uncovers the reality behind the myths and legends to reveal the dynamic, diverse lives of Viking women.
‘The Rhinegold and the Valkyrie’ was written by the German composer Richard Wagner (1813-1883). The works are based loosely on characters from the Norse sagas, and are here translated into English by Margaret Armour. The chief components include ‘The Rhinegold’ – the prelude, ‘The Valkyrie’ – the first day of the trilogy, ‘Siegfried’ – the second day of the trilogy, and ‘The Twilight of the Gods’ – the third day of the trilogy. Initially establishing his reputation as a romantic composer, Wagner revolutionised opera through his concept of the Gesamtkunstwerk (‘total work of art’), by which he sought to synthesise the poetic, visual, musical and dramatic arts. The edition of ‘The Rhinegold and The Valkyrie’ is accompanied throughout by a series of dazzling colour and black and white illustrations – by a master of the craft; Arthur Rackham (1867-1939). One of the most celebrated painters of the British Golden Age of Illustration (which encompassed the years from 1850 until the start of the First World War), Rackham’s artistry is quite simply, unparalleled. Throughout his career, he developed a unique style, combining haunting humour with dream-like romance. Presented alongside the text, his illustrations further refine and elucidate Wagner’s captivating storytelling.
During the 1950s, at the time Elvis Presley was rocking the world with Hound Dog and the USA was aiming to become the worlds only superpower, plans were being drawn at North American Aviation in Southern California for an incredible Mach-3 strategic bomber. The concept was born as a result of General Curtis LeMays desire for a heavy bomber with the weapon load and range of the subsonic B-52 and a top speed in excess of the supersonic medium bomber, the B-58 Hustler. If LeMays plans came to fruition there would be 250 Valkyries in the air; it would be the pinnacle of his quest for the ultimate strategic bomber operated by Americas Strategic Air Command. The design was a leap into the future that pushed the envelope in terms of exotic materials, avionics and power plants. However, in April 1961, Defense Secretary McNamara stopped the production go-ahead for the B-70 because of rapid cost escalation and the USSRs newfound ability to destroy aircraft at extremely high altitude using either missiles or the new Mig-25 fighter. Nevertheless, in 1963 plans for the production of three high-speed research aircraft were approved and construction proceeded. In September 1964 the first Valkyrie, now re-coded A/V-1 took to the air for the first time and in October went supersonic.This book is the most detailed description of the design, engineering and research that went into this astounding aircraft. It is full of unpublished details, photographs and firsthand accounts from those closely associated with the project. Although never put into full production, this giant six-engined aircraft became famous for its breakthrough technology, and the spectacular images captured on a fatal air-to-air photo shoot when an observing Starfighter collided with Valkyrie A/V-2 which crashed into the Mojave Desert.The loss of the $750 million aircraft and two lives stopped future development, although there were several attempts to redesign it as an airliner to compete against the European Concorde.
Volume two: Welcome to my world.....outrageous in the extreme, the Queen of the Damned rises to seek revenge. Beautiful, brilliant, and gloriously out of control, the tormented, teenaged temptress rains down her fury on all who oppose her. With bloody wars still to be won, the Valkyries battle hard to retain control. Kat struggles too, desperately searching for the darkest secrets hidden beneath a labyrinth of lies. Can her destiny be rewritten or must she succumb to Mimir's terrible prophesy? Boundaries blur as the horrific truth is finally unveiled. Contains strong adult themes of sex and violence. For further details, author's blog, and product downloads please visit www.thevalkyriesagas.com

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