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Printz Honor Book • YALSA Nonfiction Award Winner • Boston Globe-Horn Book Award Winner • SCBWI Golden Kite Winner • Cybils Senior High Nonfiction Award Winner From the author of National Book Award finalist Charles and Emma comes an incredible story of brotherly love. The deep and enduring friendship between Vincent and Theo Van Gogh shaped both brothers' lives. Confidant, champion, sympathizer, friend—Theo supported Vincent as he struggled to find his path in life. They shared everything, swapping stories of lovers and friends, successes and disappointments, dreams and ambitions. Meticulously researched, drawing on the 658 letters Vincent wrote to Theo during his lifetime, Deborah Heiligman weaves a tale of two lives intertwined and the extraordinary love of the Van Gogh brothers.
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Theo van Gogh, Vincent's younger brother, was an influential art dealer working in Paris in the 1880s. Artists and collectors respected him for his insight and integrity, Vincent spoke of his brother's humanity, and Paul Gauguin described Theo's death as an irretrievable loss. The extensive art collection that Theo built forms the core of today's collection in the Van Gogh Museum, Amsterdam. Theo van Gogh (1857-1891): Art Dealer, Collector and Brother of Vincent presents his life and work in the context of the French art world of his day. Dazzling illustrations include works by Vincent that held a special significance for Theo, as well as a representative selection of the works Theo bought and sold as a dealer. The book provides a fascinating study of the sympathetic and intelligent art expert Theo van Gogh and a lively portrait of European painting in the second half of the 19th century.
Vincent & Theo van Gogh: A Dual Biography is the first English biography to chronicle the life not only of Vincent, but also of his younger brother Theo, the Paris art dealer who made Vincent's work as an artist possible. Little has ever been published about Theo, & yet, as his grandson Johan van Gogh explains in the Preface, "Without the moral & financial support of Theo, Vincent could not have produced his vast oeuvre." The monthly allowance that Theo sent his brother was, for almost ten years, Vincent's only source of income. In a letter discovered in Vincent's pocket after his death, he wrote, "My dear brother,...I tell you again that I shall always consider you to be something else than a simple dealer in Corots, that through mediation you have your part in the actual production of certain canvases, which will retain their calm even in catastrophe." Art historian Jan Hulsker has published numerous books on Van Gogh, including The Complete Van Gogh, considered to be the authoritative catalogue of Vincent van Gogh's works. In 1989 the Royal Netherlands Academy of Sciences awarded him the distinguished silver medal for his contribution to Dutch art & literature.
The general outlines of Vincent van Gogh’s life—the early difficulties in Holland and Paris, the revelatory impact of the move to Provence, the attacks of madness and despair that led to his suicide—are almost as familiar as his paintings. Yet neither the paintings nor Van Gogh’s story might have survived at all had it not been for his sister-in-law, the teacher, translator, and socialist Jo van Gogh-Bonger. Jo married the painter’s brother, Theo, in 1889, and over the next two years lived through the deaths of both Vincent and her new husband. Left with an infant son, she inherited little save a cache of several hundred paintings and an enormous archive of letters. Advised to consign these materials to an attic, she instead dedicated her life to making them known. Over the next three decades she tirelessly promoted Vincent’s art, organizing major exhibitions and compiling and editing the correspondence, the first edition of which included, as a preface, her account of Van Gogh’s life. This short biography, written from a vantage point of familial intimacy, affords a revealing and, at times, heartbreaking testimony to the painter’s perilous life. An introduction by the art critic and scholar Martin Gayford provides an insightful discussion of the author’s relationship with the Van Goghs, while abundant color illustrations throughout the book trace the development of the painter’s signature style.
In November 2004, the controversial Dutch filmmaker Theo van Gogh was killed on a busy street in Amsterdam. A twenty-six-year-old Dutch citizen of Moroccan descent shot van Gogh, slit his throat, and pinned a five-page indictment of Western society to his body. The murder set off a series of reactions, including arson against Muslim schools and mosques. In The Assassination of Theo van Gogh, Ron Eyerman explores the multiple meanings of the murder and the different reactions it elicited: among the Amsterdam-based artistic and intellectual subculture, the wider Dutch public, the local and international Muslim communities, the radical Islamic movement, and the broader international community. After meticulously analyzing the actions and reputations of van Gogh and others in his milieu, the motives of the murderer, and the details of the assassination itself, Eyerman considers the various narrative frames the mass media used to characterize the killing. Eyerman utilizes theories of social drama and cultural trauma to evaluate the reactions to and effects of the murder. A social drama is triggered by a public transgression of taken-for-granted norms; one that threatens the collective identity of a society may develop into a cultural trauma. Eyerman contends that the assassination of Theo van Gogh quickly became a cultural trauma because it resonated powerfully with the postwar psyche of the Netherlands. As part of his analysis of the murder and reactions to it, he discusses significant aspects of twentieth-century Dutch history, including the country’s treatment of Jews during the German occupation, the loss of its colonies in the wake of World War II, its recruitment of immigrant workers, and the failure of Dutch troops to protect Muslims in Srebrenica in 1995.
Recounts the life of the well-known painter Vincent Van Gogh from his point of view, specifically regarding his relationship with his brother Theo.

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