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Far from frivolous playthings, modern visual poems represent serious experiments. Together with other members of the avant-grade, the visual poets sought to restructure the basic vision of reality that they inherited from their predecessors. This statement describes contemporary visual poets as well who, like their earlier colleagues, strive to say things that are more meaningful in ways that are more meaningful."--BOOK JACKET.
"This study examines a series of visual poems that Guillaume Apollinaire composed in 1917 for an exhibition of paintings by Leopold Survage and Irene Lagut. By this date Apollinaire had become an accomplished practitioner of visual poetry and was thoroughly at ease with the genre. Depicting horses, flowers, landscapes, clocks, the Survage/Lagut series represents the culmination of his visual experiments and contains some of his most pleasing forms. Conceived as examples of poesie critique ("critical poetry"), the poems in the series comment in diverse ways on the paintings and combine critical perspectives with techniques associated with the prose poem. Utilizing insights developed in The Aesthetics of Visual Poetry, 1914-1928, the author seeks to shed new light on Apollinaire's visual poetry through an in-depth analysis of this compact group of works. The analysis itself concentrates on three distinct areas: the poem as poem, the poem as visual poem, and the poem as criticism. The first focuses on the verbal elements of the poetry, the second on the relationship between these and the visual elements, and the third on the relationship of the total poem to paintings by Lagut and Survage." "As one would expect, part of the book is directed toward readers who are familiar with Apollinaire or who would like to know more about him. Since Apollinaire is a major poet, any project connected with his work will also interest readers who are concerned with modern French poetry in general. While at first glance the texts themselves may appear to be peripheral, the principles they embody are central not only to Apollinaire's poetry but to modern aesthetics as well. The more we learn about the calligrams, the better equipped we will be to appreciate his efforts and the closer we will come to understanding his concept of visual poetry. Similar remarks apply to Apollinaire's experiments with cubist poetry and with the poem in prose - both examined in the present volume. More than anything, perhaps, this volume strives to elucidate the concept of poesie critique, which has received very little attention. This omission is surprising since the genre influenced the Surrealist invention of poesie synthetique as well as many writers who followed Apollinaire, trying to reconcile poetry and criticism." "In addition to clarifying issues related to the poems themselves, the study attempts to accomplish two objectives that are more ambitious. First, it seeks to increase our theoretical knowledge regarding visual poetry in general. Since this genre has enjoyed widespread popularity in the twentieth century, it is closely linked to modern existence itself. Second, the study seeks to expand our knowledge of the relations between poetry and painting. Since there has been extensive cross-fertilization between them for the better part of a century, this subject provides an additional link to the modern experience."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
A great photograph has the potential to transcend verbal and written language. But how do you create these photographs? It’s not the how that’s important, but the who and the what. Who you are as a person has a direct impact on what you capture as a photographer. Whether you are an amateur or professional, architect or acupuncturist, physician or photographer, this guide provides inspiration, simple techniques, and assignments to boost your creative process and improve your digital images using natural light without additional gear. Chris Orwig’s insights—to reduce and simplify, participate rather than critique, and capture a story—have made him an immensely popular workshop speaker and faculty member at the prestigious Brooks Institute. His engaging stories presented as lessons follow his classroom approach and highlight what students say is his contagious passion for life. In this accessible and beautifully illustrated four-color guide you will: Discover visual poetry in the creative process Use less to say more with your subject matter Learn to see light, color, shape, and expression Understand what gear is essential Create compelling portraits Make lasting memories of your family and kids Capture the outdoors and adventure Begin the transition from amateur to professional Chris also includes exclusive interviews with such photographers as: Steve McCurry, Chris Rainier, John Sexton, Rodney Smith, Joyce Tenneson, John Paul Caponigro, Marc Riboud, and Pete Turner. Share your work with the author and other readers at www.flickr.com/groups/visual-poet and visit the Web site: www.visual-poet.com.
Visual Poetry is poetry I have written combined with photographs I have taken and created this book. Many things speak to the heart of and soul of a person. I believe poetry is likened to music and art, a place to express artistically that which is seen by the eye of the poet.I tend to see things through spiritual eyes so much of my poetry reflects this in it and so it not literal, but rather speaks of life as an inner journey. I love the idea of analogies. Poetry can easily be seen in this light if one has a discerning mind, heart and soul for the gems hidden in a poetic voice
Reading Visual Poetry examines works created in Spain, Latin America, France, Italy, Brazil, and the United States. Besides explicating individual works, it investigates the dynamics involved in reading (and viewing) visual poetry.
Explores historically significant presentations of Chinese visual poetry and the relationship between poetic quality and image, as they interact with literary phenomena in various visual representations.

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