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Some marriages are made in heaven . . . Some are not. What happens when "the happiest day of your life" turns into a nightmare? Forget the drunken best man or the bridesmaid dresses from the '80s . . . none of these wedding day disasters can compare to a cursed bride determined to make it down the aisle, or a vampire who is about to disrupt your wedding. Join New York Times bestselling authors Maggie Shayne and Jeaniene Frost, USA Today bestseller Kathryn Smith, as well as Terri Garey in four unforgettable tales of unholy matrimony . . . where the grooms are dark, dangerous, and mostly dead, and to love and cherish till death takes on a whole new meaning.
Previously published in the print anthology Weddings From Hell, with New York Times bestsellers Jeaniene Frost, Maggie Shayne, and Kathryn Smith. Nicki Styx sees dead people. Worse, she's a replacement bridesmaid forced to wear a hideously yellow dress that makes her look like a pineapple. If only the chatty ghost of the original bridesmaid would just leave her alone, Nicki may just survive this ceremony yet. From the RITA-winning author of Dead Girls Are Easy, an unforgettable tale of unholy matrimony and the wedding guests in attendance . . . living or otherwise.
Sophy's single and happy about it. She does, however, have an imaginary boyfriend, Dominic, a little white lie designed to keep Sophy's mother off her back. Which is fine, until his presence is demanded at a family wedding. So does Sophy admit Dominic is a fantasy? Oh no. Sophy hires an escort. But when the distinctly delicious Josh Carmichael arrives on her doorstep, Sophy can tell things are going to get tricky. And the wedding is only the beginning...
Sophy's single and happy about it. She does, however, have an imaginary boyfriend, Dominic, a little white lie designed to keep Sophy's mother off her back. Which is fine, until his presence is demanded at a family wedding. So does Sophy admit Dominic is a fantasy? Oh no. Sophy hires an escort. But when the distinctly delicious Josh Carmichael arrives on her doorstep, Sophy can tell things are going to get tricky. And the wedding is only the beginning...
Staging the Real traces the evolution of the various categories of "reality" programs which have come to dominate our screens over the last decade. The book focuses on issues such as the changes in the broadcasting environment which have given rise to such programs, the relationship they have to other popular TV genres and the huge appeal that shows such as Big Brother have for contemporary audiences. The book also seeks to measure the cultural significance of these new formats. Do they reflect a more general cultural malaise or should we measure their popularity more in terms of the changing expectations which modern audiences bring to TV entertainment?
He was too hot to handle...and she couldn't resist the heat Defense attorney Ethan Milner is well-paid for his ability to charm a jury while ruthlessly slashing the prosecution. He’s living life in the fast lane, until he’s slapped with a reckless driving charge and sentenced to 40 hours of community service on a crime watch patrol. Now he’s under the thumb of the chairman of the city’s crime watch council – a no-nonsense woman determined to make him pay his debt to society. Sandy DeMarco is familiar with Ethan’s professional character, as well as his notorious “bad boy” reputation with women. Still, when her quiet neighborhood is shaken by a brutal murder and an employee of hers becomes the prime suspect, she knows the accused’s only hope is the man who will win at any cost. Working alongside Sandy, Ethan feels the spark of attraction that ignites into love – even as a killer burns to silence them both.
Wedding coordinator Lucinda Parks is in the business of turning fantasy into reality, but when debonair Jeff Sinclair asks her to create a double wedding for his daughters, she may have met her match. Jeff designs houses, not weddings. And with his girls at opposite ends of the country, Jeff must help beautiful Lucinda unify the dreams of his daughters who agree on only two things—the day of the wedding and the color scheme. Lucinda foresees only one saving grace to the situation: the long hours she’ll be spending with the single father of the brides.

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