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This fresh new edition of one of Shakespeare's last plays, developed with the RSC, presents an easy-to-read overview of the play's performance history, including interviews with directors Dominic Cooke, Adrian Noble and Gregory Doran, and provides concise scene-by scene analyses and textual notes offering innovative new insights into the text.
A collection that includes a lengthy introduction describing historical trends in critical interpretations and theatrical performances of Shakespeare's play; 20 essays on the play, including two written especially for this volume (by Maurice Hunt and David Bergeron).
Equal parts tragedy and history play, Richard III chronicles the rise and short reign of its diabolical title character. Of this masterful creation, esteemed critic Harold Bloom has written, The manipulative, highly self-conscious, obsessed hero-villain moves himself from being the passive sufferer of his own moral and/or physical deformity to becoming a highly active melodramatist. Portrayed as England's curse and as his own worst enemy, the jealous and ambitious Richard would find little glory or peace awaiting him upon his ascension to England's throne. This collection of critical essays about the Bard's Richard III includes classic criticism from a number of notable critics throughout the centuries. Edited by Bloom, this title also features a handy index for quick reference.
This 1982 book examines The Winter's Tale in performance from Jacobean England to the twentieth century.

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