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Superstition and Magic in Early Modern Europe brings together a rich selection of essays which represent the most important historical research on religion, magic and superstition in early modern Europe. Each essay makes a significant contribution to the history of magic and religion in its own right, while together they demonstrate how debates over the topic have evolved over time, providing invaluable intellectual, historical, and socio-political context for readers approaching the subject for the first time. The essays are organised around five key themes and areas of controversy. Part One tackles superstition; Part Two, the tension between miracles and magic; Part Three, ghosts and apparitions; Part Four, witchcraft and witch trials; and Part Five, the gradual disintegration of the 'magical universe' in the face of scientific, religious and practical opposition. Each part is prefaced by an introduction that provides an outline of the historiography and engages with recent scholarship and debate, setting the context for the essays that follow and providing a foundation for further study. This collection is an invaluable toolkit for students of early modern Europe, providing both a focused overview and a springboard for broader thinking about the underlying continuities and discontinuities that make the study of magic and superstition a perennially fascinating topic.
"Published in Association with the European Association of Social Anthropologists."
Few names carry such formidable mystique and rabid cult status as Captain Beefheart, who led various lineups of his Magic Band to make some of the most startling, ground-breaking albums of the last century. In 1982, he retired to concentrate on painting, leaving the mythology he’d stoked himself to grow untamed over the years. John French is better qualified than anyone to talk about Beefheart, joining the Magic Band in 1966 at the age of 17 just before recording their Safe As Milk debut album, finding himself plunged into a tyrannical regime which would dominate his life for the next 14 years as he played a major role in eight subsequent albums, including translating the mindblowing avant-blues assault of 1969’s Trout Mask Replica into readable music for the Magic Band from the Captain’s piano poundings under torturous conditions he likens to a cult. Spanning nearly a thousand pages, French’s remarkable memoir starts with a vivid description of the rarely-documented early 60s Lancaster garage-rock scene which also spawned names like Ry Cooder and Beefheart’s childhood friend and later nemesis Frank Zappa, whose appearances in the book will enthrall his own legion of fans. As his spellbinding, often shocking tale unwinds, he encounters names including jazz giant Ornette Coleman, Jim Morrison and Paul McCartney, writing with dry, sometimes surreal humour and disarming honesty about his old boss and even himself, occasionally bringing in his old Magic Band comrades to jog his memory. The book is packed with new revelations, many previously-unseen photos and enough anecdotes to keep the Beefheart faithful ruminating for years, French finally crystallising and bringing to life over 40 years of legend and speculation in what has to be the ultimate book on the mercurial genius of Captain Beefheart.
Allison Beckstrom?s magic has taken its toll on her, physically marking her and erasing her memories?including those of the man she supposedly loves. But lost memories aren?t the only things preying on Allie?s thoughts. Her late father, the prominent businessman?and sorcerer?Daniel Beckstrom, has somehow channeled himself into her very mind. With the help of The Authority, a secret organization of magic users, she hopes to gain better control over her own abilities?and find a way to deal with her father?
Allison Beckstrom is committed to her work tracing illegal spells. Now, there's an apocalyptic storm bearing down on Portland, and when it hits, all the magic in the area will turn unstable and destructive. To stop it from taking out the entire city, Allie and her lover, the mysterious Zayvion Jones, must work with the Authority-the enigmatic arbiters of all things magic-and take a stand against a magical wildstorm that will obliterate all in its path... Watch a Video
An Los Angeles Times Best Book 2003 A chilling, beautifully written narrative of African war Sierra Leone is the world's most war-ravaged country. There, in a West African landscape of spectacular beauty, rampaging soldiers--many not yet in their teens--have made a custom of hacking off the hands of their victims, then letting them live as the ultimate emblem of terror. The country is so anarchic and so desperate that, forty years after independence, its people long to be recolonized. And the West wants to save it. Daniel Bergner's In the Land of Magic Soldiers follows both a set of white would-be saviors--a family of American missionaries, a mercenary helicopter gunship pilot, and the army of Great Britain--and also a set of Sierra Leoneans, among them a father who rescues his daughter from rape, loses his hands as punishment, then begins to rebuild his life; a child soldier and sometime cannibal; and a highly Westernized medical student who claims immunity to bullets and a cure for H.I.V. A story of black and white, of the First World and the world left infinitely behind, of those who would nation-build and those who live in a land of fire and jungle, In the Land of Magic Soldiers is an unforgettable work of literary reportage by "a terrific reporter with a novelist's eye" (Peter Applebome, The New York Times Book Review).
Witchcraft continues to play a role in the modern European imagination and in its cultures. This book brings together studies of its most important modern manifestations. The volume includes a major new history of the origins and development of English 'Wicca', an account of satanic abuse mythology in the Twentieth Century and a survey of the continued existence of traditional witchcraft.

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