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The continuation of Brian K. Vaughan and artist Pia GuerraÕs acclaimed VERTIGO series Y: THE LAST MAN brings to vivid life the age-old speculation: What would really happen to the last man on Earth? In 2002, the world changes forever. Every man, every boy, every mammal with a Y chromosome everywhere on Earth suddenly collapses and dies. With the loss of nearly half the planetÕs population, the gears of society grind to a halt, and a world of women are left to pick up the pieces and try to keep civilization from collapsing entirely. The Ògendercide,Ó however, is not absolutely complete. For some unknown reason, one young man named Yorick Brown and his pet male monkey, Ampersand, are spared. Overnight, this anonymous twenty-something becomes the most important person on the planetÑthe key, it is hoped, to unlocking the secret of the mysterious sex-specific plague. For Yorick himself, the most important person on the planet has been agonizingly out of reach. But now, after three long years and 10,000 arduous miles, the last man is closing in on the truth about his lost fiancŽeÑand the shocking facts behind his own survival. Collects Y: THE LAST MAN #37-48
"Originally published in single magazine form as Y: The Last Man 37-48."
Yorick Brown, an unemployed and unmotivated slacker, discovers that he is the only male left in the world after a plague of unknown origin instantly kills every mammal with a Y chromosome.
"Originally published in single magazine form as Y: The Last Man 37-48."
WINNER OF THREE EISNER AWARDS. After a devastating plague, Yorrick Brown is the last man left alive in a world of women. On the run from Amazon extremists who would be happy to see him dead, his friends leave him in the care of Agent 711. But 711 is not the tragic woman she seems to be and Yorrick is propelled into a drug-fuelled nightmare of blood and sadism. Collects issues #18-23 of the runaway hit Vertigo series by Brian K. Vaughan (EX-MACHINA, RUNAWAYS) and Pia Guerra.
Focusing especially on American comic books and graphic novels from the 1930s to the present, this massive four-volume work provides a colorful yet authoritative source on the entire history of the comics medium. • Provides historical context within individual entries that allows readers to grasp the significance of that entry as it relates to the broader history and evolution of comics • Includes coverage of international material to frame the subsets of American and British comics within a global context • Presents information that will appeal and be of use to general readers of comics and supply coverage detailed enough to be of significant value to scholars and teachers working in the field of comics

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